The World Beyond BetterMost > Anything Goes
Dream Interpretation
Jeff Wrangler:
--- Quote from: Front-Ranger on August 26, 2014, 11:57:57 am ---Your "gun" was a little comic relief!! :laugh:
--- End quote ---
Yes, especially this part:
--- Quote from: CellarDweller on August 25, 2014, 09:56:35 pm ---I went out, put my hand down my pants, and pulled out a gun.
--- End quote ---
"Have you met my little friend?" ;D
CellarDweller:
--- Quote from: Front-Ranger on August 26, 2014, 11:57:57 am ---Chuck, are you inadvertently letting slip out what the trial is about that you're on jury duty for?
Dreams like this are very understandable given the many stories of crimes, even those committed by police, no less, on the news. A common thread in this and your other dream is a feeling of unease about the scary world at large. We may be able to push this down to our subconscious and carry on with our daily lives, but in sleeping the subconscious is in charge and our fears come to the forefront.
There is hope in your resolution of the problem: you realize that you are strong enough to stand up to those who would intimidate the defenseless. You bravely went out and brought in the queens and protected them. Your "gun" was a little comic relief!! :laugh:
--- End quote ---
Excuse you? "Little" and "comic" are not words that one would want applied to that region.
:laugh:
As for the trial, it's a civil case, nothing quite as excited as saving drag queens. :laugh:
CellarDweller:
--- Quote from: Jeff Wrangler on August 26, 2014, 12:17:55 pm ---"Have you met my little friend?" ;D
--- End quote ---
Again with the size jokes. ::) :laugh:
Jeff Wrangler:
Kind of funny, isn't it? A short while ago I had a spate of remembering dreams from almost every night, and now I seem to be back to the usual pattern of not remembering anything at all. ???
Front-Ranger:
I had an interesting dream 2 days ago and invite your opinions on it. I was working on a large, Edward-Hopper-like painting of some women sitting around a round table in a room. The walls were deep yellow and orange and the point of view was looking down from about ceiling height at them. I was particularly careful with the depiction of the woman who was sitting nearest the viewer, who could only be seen from the back. I painted her with a soft rose dress and her hair was caught up so that her neck and hairline were visible. I was proud of the work on this person, particularly.
But then I decided to put a man into the picture. A man facing the viewer, but looking down. Carrying his jacket over one shoulder and a briefcase in the other hand. I placed him just left of center in the foreground. But I didn't want to cover up the lady, so I actually painted the man on a piece of heavy paper, cut him out, and was placing him here and there on the canvas, trying to find the right place. Suddenly I realized that this would make a good New Yorker cover.
Your thoughts?
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