Brokeback Mountain: Our Community's Common Bond > Brokeback Mountain Open Forum

"Versimmilitude"

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Rayn:

--- Quote from: fontaine on June 26, 2006, 07:41:01 pm ---Poetry is an interesting idea. I've been focusing most on stories--written and filmed. In one classification I saw, it mentions epic poems as a type of story, but I think you've hit on something in mentioning these short poetic moments. It's like Annie says in "everyone believes a speckled coffeepot!"

BTW, Frost is my favorite poet. I "get" his poetry (and can even recite "Stopping by Woods" by heart) but don't get most of it. Maybe a feeling, but it's so fuzzy, I feel more confused than inspired.

If you'd like to wax on about this idea of poetry and versimmilitude, I'd be very interested in hearing it!

--- End quote ---

I appreciate the encouragement, but I was only pointing to poetry as it often reveals the inner working of people's lives and minds.  Poetry can reveal or reflect truths in ways other arts cannot, so it is more concerned with truth than with verisimilitude. 

I realize the two words are related, but I take verisimilitude to mean "having the appearance of truth".  Poetry might take verisimilitude or the appearance of things as a subject in a poem, but verisimilitude isn't what poems are usually after in the area of "truth telling".  Film, on the other hand, is much more about appearance than poetry. 

Poetry is about many things, including entertainment, truth, beauty, strong emotion, form, facts, history, news events, images, metaphor, music and a whole long list of "more".... 

I'm not being short, but it's just way too long a topic to deal with here.

Rayn

coffeecat33:
I have been wondering why some of us are so addicted to this story and why Jack & Ennis are so real that sometimes they live inside us and sometimes we are them. Here's what the author has to say: Annie Proulx, “Getting Movied” from “Story to Screenplay”
--- Quote ---“… I was driven to write [BBM]. These characters did something that, as a writer, I had never experienced before – they began to get very damn real. Usually I deal in obedient characters who do what they are told, but Jack and Ennis soon seemed more vivid than many of the flesh-and-blood people around me and there emerged an antiphonal black-and-forth relationship between writer and character.”
--- End quote ---
These two men became real while Ms. Proulx was writing the story. The story, Jack & Ennis also obsessed Diana Ossana who pursued its inception for nearly 10 years. It's like Jack & Ennis existed in the Collective Unconscious and demanded to have their story told. If this is how they were created, it's no wonder they feel so real to us and live in us and with us.

Another explanation: “Sublime” is a term that came into use in the 18th century to denote a new aesthetic concept that was associated with ideas of awe and vastness.
--- Quote ---“The ideas of pain, sickness and death fill the mind with strong emotions of  horror: but life and health, though they put us in a capacity of being affected with pleasure, they make no such impression.  The passions . . . about the preservation of the individual, turn chiefly on pain and danger, and they are the most powerful of all the passions . . .Whatever is fitted in any sort to excite the ideas of pain and danger… is a source of the sublime.  The passions which belong to self-preservation . . . are simply painful when their causes immediately affect us; they are delightful when we have an idea of pain and danger, without being actually in such circumstances . . .Whatever excites this delight, I call sublime.”   Obscurity in some things contributes to the effect of the picture, because in art as in nature, dark, confused, uncertain images have a greater power on the fancy to form the grander passions than those which are more clear and determinate.” – Edmund Burke
--- End quote ---
Some of us feel the pain and grief experienced by Jack & Ennis. We're one-step removed from the grief but I think it also creates a "grander passion."

coffeecat33

bbm_stitchbuffyfan:
I like that idea of versimmilitude.


--- Quote ---These two men became real while Ms. Proulx was writing the story. The story, Jack & Ennis also obsessed Diana Ossana who pursued its inception for nearly 10 years. It's like Jack & Ennis existed in the Collective Unconscious and demanded to have their story told. If this is how they were created, it's no wonder they feel so real to us and live in us and with us.
--- End quote ---

Love this...

Front-Ranger:

--- Quote from: serious crayons on June 26, 2006, 01:05:18 pm ---In her essay "Getting Movied," Annie addresses this very subject. She lists a bunch of realistic details from the movie: Ennis dirty fingernails in a love scene, the old ENTERING WYOMING highway sign, the splotch of nail polish on Lureen's finger, Mrs Newsome's Texas hair, the speckled enamel coffee pot ... then says,

" ... all accumulate and convince us of the truth of the story. People may doubt that young men fall in love up on the snowy heights, but no one disbelieves the speckled coffeepot, and if the coffeepot is true, so is the other."

(Thanks to F-R for her generous loan of "Story to Screenplay"!)

--- End quote ---

I hope your STS is still within reaching distance of your computer, friend!

It is still as true as ever: "if the coffeepot is true, so is the other."

Time has gone by, and both Adam's coffeepot and my bucket, which were stolen after the Estes Park BBQ, have been replaced. I scoured thrift stores, antique joints, and flea markets until I found two that resembled the originals perfectly. All is together again, in perfect harmony, just like the beginning of the Dozy Embrace scene, where bucket and coffeepot stand perfectly aligned over the burning embers of the campfire...

serious crayons:

--- Quote from: Front-Ranger on May 11, 2009, 12:54:20 am ---I hope your STS is still within reaching distance of your computer, friend!
--- End quote ---

Well, time has passed, and now it's in a whole different room. But only a short walk away! I still find myself consulting STS pretty frequently to check my memory of a line or detail.


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