Interview with Brokeback Mountain Production Manager Tom Benz.....
Rob: What was so special about Alberta, as opposed to Wyoming, for the filming?
Benz: I was phoned by Kevin Hyman, one of the chief
xecutives of Focus who I met in 1999 on another film, and I was so surprised because it sounded like he knew me from just last week; the familiarity. Ang Lee had never made a film that was not on the location in which the story was set. That was, no pun intended, "Ang's angst" as we called it. Kevin was very clear to me from the very first phone call in December, that a key part of this effort was to make Ang comfortable that he was not going to be shooting in Wyoming.
The studio had studied the logistics and the costs of filming in Wyoming, a state that doesn't have as many people as Calgary does as a city. The essential support services that come with that, including hotels, cars, airports, simply to start a film, much less host the crew, the equipment, all of those things, are not available in Wyoming. Literally every last element would have had to be brought into Wyoming and my belief is it would have cost millions more to shoot there.
This is an independent feature; there is a ceiling to the amount one can invest in a work of art. When one goes to make a King Kong for $200 million it is a different kind of gamble with a different kind of audience to see if you can fill the theatre. (That gamble, incidentally, a $200 million investment in making King Kong compared with a $15 - 17 million investment with producing Brokeback Mountain, both netted the same profit.) So it's a different risk and a different undertaking to make a film like Brokeback Mountain. Absolutely, Brokeback was motivated by the literature, a good short story made into a very fine screen play.
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