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Armie Hammer & Timothée Chalamet find love in Call Me By Your Name (2017)
Aloysius J. Gleek:
--- Quote from: Aloysius J. Gleek on October 18, 2017, 11:47:56 pm ---
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https://itunes.apple.com/us/album/call-me-by-your-name-original-motion-picture-soundtrack/id1300430864
Call Me By Your Name
(Original Motion Picture Soundtrack)
Various Artists
Soundtrack Nov 3, 2017
1
Hallelujah Junction – 1st movement –
John Adams
7:09
2
M.A.Y. in the Backyard
Ryuichi Sakamoto
4:25
3
J'adore Venise
Loredana Bertè
4:15
4
Paris Latino
Bandolero
4:01
5
Sonatine Bureaucratique
Frank Glazer
3:44
6
“Zion hört die Wächter singen” from Cantata BWV 140 “Wachet auf, ruft uns die Stimme”
Alessio Bax
5:10
7
Lady Lady Lady
Giorgio Moroder & Joe Esposito
4:15
8
Une barque sur l’océan from Miroirs
Andre Laplante
7:10
9
Futile Devices (Doveman Remix)
Sufjan Stevens
2:15
10
Germination
Ryuichi Sakamoto
2:09
11
Words
F.R. David
3:27
12
È la vita
Marco Armani
4:11
13
Mystery of Love
Sufjan Stevens
4:08
14
Radio Varsavia
Franco Battiato
4:07
15
Love My Way
The Psychedelic Furs
3:33
16
Le jardin féerique from Ma mère l'Oye
Valeria Szervánszky & Ronald Cavaye
3:02
17
Visions of Gideon
Sufjan Stevens
4:07
This Compilation ℗ and © 2017 Madison Gate Records, Inc. All Rights Reserved.
--- Quote from: Aloysius J. Gleek on October 05, 2017, 05:32:51 pm ---
[youtube=780,750]http://www.youtube.com/watch?v=bTYUyDjVCRU[/youtube]
https://www.youtube.com/watch?v=bTYUyDjVCRU
Maurice Ravel: Miroirs III. Une Barque sur L'Ocean (1904-1905)
(pianist André Laplante)Sounds familiar....
https://en.wikipedia.org/wiki/Maurice_Ravel
https://en.wikipedia.org/wiki/Miroirs
https://en.wikipedia.org/wiki/Andr%C3%A9_Laplante
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--- Quote from: Aloysius J. Gleek on September 01, 2017, 07:10:57 pm ---
[youtube=800,450]http://www.youtube.com/watch?v=LGD9i718kBU[/youtube]
https://www.youtube.com/watch?v=LGD9i718kBU
The Psychedelic Furs Love My Way
PsychedelicFursVEVO
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Aloysius J. Gleek:
CALLMEBYYOURNAMEFANART
http://daisy4ever.tumblr.com/
by Daisy.Q
http://laterpeaches.tumblr.com/post/167158270373/daisy4ever-the-end-of-the-summer
http://daisy4ever.tumblr.com/post/166742074156/the-end-of-the-summer
http://daisy4ever.tumblr.com/image/166742074156
http://daisy4ever.tumblr.com/tagged/my-art
Summer's Gone
by Daisy.Q http://daisy4ever.tumblr.com/
24th October 2017 80 Notes
#timothée chalamet #elio #elio perlman #armie hammer #oliver #ulliva #actor
#call me by your name #cmbyn #andré aciman #luca guadagnino #lgbt
#movies #film #lgbtmovie #oscar
#art #my art #artist #portrait #drawing #fanart #Daisy.Q
#later!
CALLMEBYYOURNAMEFANART by Daisy.Q
http://daisy4ever.tumblr.com/
Aloysius J. Gleek:
CALLMEBYYOURNAMEFANART
http://marqslo.tumblr.com/
by mary / 19 / slytherin thunderbird
http://marqslo.tumblr.com/post/166716750512/twenty-years-was-yesterday-and-yesterday-was
http://laterpeaches.tumblr.com/post/167148602642/marqslo-twenty-years-was-yesterday-and
http://marqslo.tumblr.com/
Twenty years was yesterday,
and yesterday was just earlier this morning,
and morning seemed light-years away.
Call Me By Your Name by André AcimanRecited/Narrated by Armie Hammer
by mary / 19 / slytherin thunderbird http://marqslo.tumblr.com/
4th November 2017 223 Notes
#timothée chalamet #elio #elio perlman #armie hammer #oliver #ulliva #actor
#call me by your name #cmbyn #andré aciman #luca guadagnino #lgbt
#movies #film #lgbtmovie #oscar #laterpeaches 🍑
#art #my art #artist #portrait #drawing #fanart
#artists on tumblr #illustration #trash
#later!
CALLMEBYYOURNAMEFANART by mary / 19 / slytherin thunderbird
http://marqslo.tumblr.com/
--- Quote from: Aloysius J. Gleek on October 21, 2017, 08:23:33 pm ---
by stang1996
https://stang1996.deviantart.com/art/Call-Me-By-Your-Name-703489594
https://stang1996.deviantart.com/
Reading poetry (Paul Celan) on Monet's Berm
(can't wait to watch the film!)
CALLMEBYYOURNAMEFANART by stang1996
https://stang1996.deviantart.com/
--- End quote ---
Aloysius J. Gleek:
More (visual) music--
--- Quote from: Aloysius J. Gleek on October 18, 2017, 11:47:56 pm ---
--- End quote ---
https://tchalametdaily.tumblr.com/post/166711627702/timoth%C3%A9e-chalamet-photographed-by-carlotta
https://atrl.net/forums/topic/11626-timothee-chalamet-stuns-for-lofficiel-hommes-italia/
Timothée Chalamet photographed by Carlotta Manaigo
FYI:
[youtube=600,600]http://www.youtube.com/watch?v=HDcxqeIl9p4[/youtube]
New Paradise - Easy LifeBC Records 12' - Special Remix By Tee Scott & Began Cekic
For This English/French Version in 1982
And of course we've seen that particular pose before--
--- Quote from: Aloysius J. Gleek on October 17, 2017, 10:19:09 pm ---
by blue night
http://monetsberm.tumblr.com/post/166514374626/camikoz-call-me-by-your-name
http://camikoz.tumblr.com/post/166510403456/call-me-by-your-name
http://camikoz.tumblr.com/image/166510403456
http://monetsberm.tumblr.com/
CALLMEBYYOURNAMEFANART by blue night
http://camikoz.tumblr.com/
10/17/17 AT 9:05PM 241 Notes
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Aloysius J. Gleek:
The movie takes place “somewhere in northern Italy,” but it’s actually set at the peak of Western civilization—which, in case you didn’t know it, was the summer of 1983. In the breezy villa of a beloved American professor of antiquities (Michael Stuhlbarg), multiple languages are spoken by a loving family. Plates of food are passed around along with side dishes of intellectual debate and affectionate teasing. Girls in sundresses pedal to the lake on bicycles. A brilliant pop song, the Psychedelic Furs’ “Love My Way,” throbs out of radios and on the dance floor. And brainy discussions of art history compete for time with more tangible pleasures (not just volleyball).
https://www.timeout.com/us/film/call-me-by-your-name
Sundance 2017
Call Me by Your Name
Sundance 2017 Review
In attaching sinuous style and casual sexiness to a universal ache, Luca Guadagnino
has come away with real wisdom. Sweet and salty, his movie burns like a suntan.
★★★★★
by JOSHUA ROTHKOPF
@joshrothkopf
Wednesday 25 January 2017
Bearded and gentle, Stuhlbarg nails a compassionate paternal monologue that uncorks the movie’s entire reservoir of empathy in a single speech.
Michael Stuhlbarg, Timothée Chalamet and Armie Hammer in Call Me by Your Name
This voluptuous coming-of-age gay romance transports us not only to northern Italy, but to a lazy summer's exchange of books, fruit, glances and power.
Italian writer-director Luca Guadagnino likes to show off his homeland as a place of sensual self-discovery. That's especially true of his last two fiction features, the exquisite Milanese romance I Am Love (2009)—a film with the power to make you pack your bags and head off to the nearest airport—and the languorous island thriller A Bigger Splash (2015). But he’s never mounted the total swirl of sultry weather, budding libidos and teenage confusion that marks his new drama, Call Me by Your Name, a triumphant, heartbreaking tale of coming out based on André Aciman’s acclaimed 2007 novel. When considered within the tradition of onscreen gay courtship, the movie takes its immediate place alongside such all-time greats as Brokeback Mountain, Carol and the recent Moonlight. When viewed outside that esteemed lineage, Call Me by Your Name has a choking emotional intensity that will be apparent to anyone who’s ever dared to reach out to another.
The movie takes place “somewhere in northern Italy,” but it’s actually set at the peak of Western civilization—which, in case you didn’t know it, was the summer of 1983. In the breezy villa of a beloved American professor of antiquities (Michael Stuhlbarg), multiple languages are spoken by a loving family. Plates of food are passed around along with side dishes of intellectual debate and affectionate teasing. Girls in sundresses pedal to the lake on bicycles. A brilliant pop song, the Psychedelic Furs’ “Love My Way,” throbs out of radios and on the dance floor. And brainy discussions of art history compete for time with more tangible pleasures (not just volleyball).
Swanning through this charmed universe like a little prince is thoughtful 17-year-old Elio (Timothée Chalamet, straddling the awkward age deftly), a musical prodigy who's often plugged into his Walkman, from which he transcribes piano etudes. (Guadagnino deploys the period details tactfully, always advancing the teen’s evolving mental state.) Elio has experienced these leisurely summers at the villa many times before, we gather, yet this time he is dumbstruck by the magnetism of Oliver (Armie Hammer), the chiseled, showboating grad student in tiny shorts flown out by his father for a season of research. Both young men share a Jewish heritage—Oliver wears a Star of David around his neck, while Elio’s family, he offers, are “Jews of discretion” per his mother—and both share a bathroom that begins to feels like a barrier.
Guadagnino makes films for adults. It’s partly why his work feels so vital in a moviescape filled with immaturity, and even as he turns up the heat on his central characters’ subtle—and mutual—flirtation, he never descends into ponderousness or straight-up comedy. The pressure gets released in a spectacular one-take seduction in a dusty plaza, the camera circling as Elio, uncertain of his purpose, his urges, his entire body, musters up his courage and Oliver struts just out of reach. Call Me by Your Name is a playful film, but it trembles with a sense of impermanence, gorgeously developed as the summer’s shadows grow longer (cinematographer Sayombhu Mukdeeprom blesses the imagery with an atmosphere you can breathe) and the duo becomes more brazen with its affections.
That’s as good a taste as one should offer, and probably best left there. But Guadagnino has a breadth of feeling worth mapping out at the edges: Bearded and gentle, Stuhlbarg nails a compassionate paternal monologue that uncorks the movie’s entire reservoir of empathy in a single speech. (To have such dads in the world.) Meanwhile, an attic tryst between two shirtless men and a ripe peach will leave your crowd gasping. Those are two dramatic extremes that few directors would know what to do with, much less attempt. Guadagnino, though, like his countrymate and one-time documentary subject Bernardo Bertolucci, is up to the task. In attaching sinuous style and casual sexiness to a universal ache, Guadagnino has come away with real wisdom. Sweet and salty, his movie burns like a suntan.
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