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Armie Hammer & Timothée Chalamet find love in Call Me By Your Name (2017)

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Aloysius J. Gleek:

--- Quote from: southendmd on February 01, 2018, 03:43:28 pm ---This is a very cool thing.  "Interactive" google map thingie, of the very piazza in Pandino with the Piave memorial.

https://www.google.it/maps/@45.4051949,9.5527923,3a,60y,258.68h,92.82t/data=!3m6!1e1!3m4!1sdJV1pl3fEk-5bWHJBjP1qg!2e0!7i13312!8i6656

Be sure to click on "satellite" and mouse your way to the little square just south of the castello.  Double-click on the green hexagonal square in the center.
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Thanks, Paul--VERY cool thing!   :D :D




http://waterinthemouth.tumblr.com/


Please note "Pandino ai suoi caduti" ("Pandino to her fallen") to the right of the large plaque, there is another dated 1940-1946, listing the dead from WWII. So the memorial is for BOTH wars (at least) and therefore Oliver's line in the scene wasn't wrong after all! I'm glad, I was upset I thought it was a mistake--




--- Quote from: Aloysius J. Gleek on November 26, 2017, 02:42:06 am ---
Me with yet another bugaboo-bugbear: Does (clearly super-intelligent) Oliver REALLY ask (in 1983!) about a war memorial statue--"Is that from WWII?" when the bronze soldier is wearing puttees and a WWI flat soup dish on his head? Mortifying! But Oliver didn't (creepily) feed the dopey line to Elio to allow Elio feel smart, the momentarily dopey SCRIPT made  Oliver feed Elio that stupid line. (Maybe for the 2017 audience this isn't an issue? Aren't WWI & WWII in the Middle Ages anyway? What's the diff!) But the stupid line made me cringe because Oliver IS smart and he wasn't trying to butter up Elio. And again, for me the removal of the book's Rome episode from the script rankles. For a fan of Aciman's book, replacing the Dantean weekend in Rome with a (literal) bus-and backpack holiday to Bergamo and bucolic environs is disappointing. But, in these degenerate, tawdry Trumpian times, compared to what else you'll see in the multiplex--yes. Yes, it is a masterpiece. And when the two boys with backpacks were climbing towards the pretty falls and were shouting their names at each other in glee, I shed tears.    :)


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My apologies Luca and Walter! I shouldn't have doubted you!


Aloysius J. Gleek:

--- Quote from: Shakesthecoffecan on January 31, 2018, 05:33:06 pm ---
It was not the gut punch Brokeback was, but what it was was wonderful. So lush, so perfect in its setting and cinematography. The story, the identifying, oh mah gawd peaches!

1983, will there ever be anything like it again? While Jack Twist met his end these two were on the other side of the world, exchanging shirts. Seeing something like this movie is like being given permission to reimagine ones own life, to walk up to that familiar line never crossed and just tell the guy, hey, I know things. Things I would want to share with you. And maybe it was because there were in Italy, maybe because they were educated, there was just enough wiggle room for that guy to take a chance.

1983 will never come again. Not in my life or anyone else's. The kids coming up they will have there own summer of love. Art like this it opens up something in us that is not natural, to look back and try to inform our own stories by the ones we have read or seen. It is a phenomenon that only recent generations would know of. Being able to look back, and appreciate, and long for.


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“The past is a foreign country; they do things differently there.”

--L. P. Hartley (the author of The Go-Between  (1953). https://en.wikipedia.org/wiki/The_Go-Between )



Location and circumstances. Acceptance, permission, privilege, tolerance, luck: Jack Twist had none of those. And Jack's 1983 was certainly different than Elio's--

Your comment, Truman, made me look up this quote:




--- Quote from: Aloysius J. Gleek on November 07, 2017, 08:52:13 am ---
The movie takes place “somewhere in northern Italy,” but it’s actually set at the peak of Western civilization—which, in case you didn’t know it, was the summer of 1983. In the breezy villa of a beloved American professor of antiquities (Michael Stuhlbarg), multiple languages are spoken by a loving family. Plates of food are passed around along with side dishes of intellectual debate and affectionate teasing. Girls in sundresses pedal to the lake on bicycles. A brilliant pop song, the Psychedelic Furs’ “Love My Way,” throbs out of radios and on the dance floor. And brainy discussions of art history compete for time with more tangible pleasures (not just volleyball).

https://www.timeout.com/us/film/call-me-by-your-name

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FYI, there's this:




--- Quote from: TOoP/Bruce on July 16, 2007, 07:58:23 am ---Timeline in the lives of Jack and Ennis
by - surf501 (Mon Dec 19 2005 20:39:12 )

Here goes after seeing the movie four times (EDIT: Have now seen movie 9 times), and reading the published version of the screenplay, certain year milestones are noted:

1963 - The year they meet, summer. After Brokeback, Ennis marries Alma the same year.

1964 - Ennis and Alma are married, and expecting their first child. The movie at the Drive-in is "Surf Party", from 1964.

1966 - Fourth of July when Ennis beats up the foul mouthed Biker. The announcer in the background clearly says Fourth of July, 1966. Same summer, Jack attempts to pick up Jimbo the Rodeo Clown, then meets Lureen.

1967 - Four years after the summer on Brokeback, Jack and Ennis reunite.

Flashback: 1952 - Ennis' father takes him and his brother to see the murdered body of Earl, the rancher. Ennis says he is 9 years old, which means he must have turned 20 later in the fall of 1963, after the summer on Brokeback, which makes sense since the book says he was "not yet twenty", which seems to imply "not yet twenty, but almost/soon will be".

1969 - The "Where's my Blue Parka?" scene. The screenplay is messed up here about dates. In the space of two pages the year changes from 1971 to 1969 to a scene with a wall calendar that says 1973! I think that 1969 is supposed to be the correct year, but then why would little Bobby need a tutor at age of only 2 or 3? In the movie though we are free to place it in any year we choose in a given late sixties, early 70's range.

1972 - The montage where Jack is letting bobby drive the tractor and Ennis is baling hay out the back of a truck

1973 - Ennis and Alma sit in their apartment on a Saturday night and watch an episode of "Kojack". Alma wants to go to the Church social, but Ennis dosesn't feel like hanging out with "..that fire and brimstone crowd."

1975 - Ennis and Alma divorce. The date is read by the judge. I believe it's in July. The 5th? (Correction: The date of their divorce is November 6th) Jack drives up to see Ennis, hoping this means they will now be able to live together.

1977 - Thanksgiving with Ennis at Alma and Monroe's, and at the Twist Household. You hear the year read by the announcer at the football game on television. The screenplay describes Bobby as being 10, which means he would have had to be two when he needed the tutor.

1978 - Jack and Ennis go to the Mountains again, "Aww go to hell Ennis Del Mar, you want to live your miserable *beep* life, go ahead..." Jack and Lureen meet Randall and LaShawn Malone, at a benefit dinner dance. Ennis meets Cassie.

1979 - Scene with Ennis, Cassie, and Alma Jr. at the bar. The screenplay describes Alma Jr. as 15 yrs,

1981/1983 - Jack and Ennis meet for the last time in 1981 (screenplay) or 1983 (book). In the book, Proulx says they go everywhere but back to Brokeback. In the movie it seems like they always return to Brokeback or we assume so. Cassie confronts Ennis in the Diner.

1982 - In the screenplay, this is the year Jack is killed, and Ennis has the phone coversation with Lureen. Ennis meets Jack's parents.

1984 - Final scenes in movie with Ennis and Alma Jr., the reversed shirts.

"You know it could be like this, just like this, always"
Black Hat White Hat

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Aloysius J. Gleek:
This is lovely.   :D :D
I just wish the Vice  video kept
showing more storyboards
and Luca and André kept yarning
all the way to the end
of the movie!


[youtube=960,540]http://www.youtube.com/watch?v=5u2MAUPbFxo[/youtube]
https://www.youtube.com/watch?v=5u2MAUPbFxo
Luca Guadagnino and André Aciman
Inside The Making of Call Me By Your Name
Storyboard / VICE News / HBO

In another installment of Storyboard, VICE News chats with Call Me By Your Name 's director Luca Guadagnino and author André Aciman, on the novel's inception and the movie's production.


VICE News
Published on Dec 4, 2017





I think those two have become best friends, no??   ;) ;)






--- Quote from: Aloysius J. Gleek on February 01, 2018, 04:10:03 pm ---
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Aloysius J. Gleek:
CALLMEBYYOURNAMEFANART
http://www.gramunion.com/allarica.tumblr.com
https://allarica.deviantart.com/

by Allarica
                          (Moya Tsaritsa)

http://www.gramunion.com/allarica.tumblr.com/170041489169
http://www.gramunion.com/allarica.tumblr.com?page=3
http://www.gramunion.com/allarica.tumblr.com


https://www.deviantart.com/art/Elio-and-Oliver-727614519
https://allarica.deviantart.com/

"We wasted so many days- so many weeks.
Why didn't you give me a sign?"

"I did! At least I tried."

This movie was SO... 🍑

CALLMEBYYOURNAMEFANART by Moya Tsaritsa (allarica)

http://www.gramunion.com/allarica.tumblr.com
https://allarica.deviantart.com/

Jan 24 2018 157 notes

#CMBYN   #CallMeByYourName #laterpeaches  #🍑
#elio  #elio perlman  #oliver  #ulliva
#timothée chalamet  #armie hammer  #andré aciman  #luca guadagnino  
#book   #novel   #film  #movie  #sonyclassics   #lgbt
#art #my art #artwork #artist #allarica #allaricasworks









--- Quote from: Aloysius J. Gleek on November 16, 2017, 08:26:53 pm ---Night Scene with cigarette--


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--- Quote from: Aloysius J. Gleek on November 11, 2017, 09:13:16 am ---
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--- Quote from: Aloysius J. Gleek on October 18, 2017, 11:47:56 pm ---


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southendmd:

--- Quote from: Aloysius J. Gleek on February 01, 2018, 08:02:50 pm ---This is lovely.   :D :D
I just wish the Vice  video kept
showing more storyboards
and Luca and André kept yarning
all the way to the end
of the movie!

I think those two have become best friends, no??   ;) ;)


--- End quote ---

Yes! And, yes!

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