Author Topic: ABCs at the Movies: The Doubles Round!  (Read 2570645 times)

Offline dot-matrix

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"P" is The Painted Veil
« Reply #2460 on: January 09, 2008, 09:18:10 pm »
Another Somerset Maugham adapation.  Though the film was not Garbo's best, it's one of the better ones. Where else can you watch Garbo cheat on Herbert Marshall with George Brent...and during the interum meet up with Warner Oland (Charlie Chan) in the bar!






Life is not a dress rehearsal

Offline Fran

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"Q" is The Quitter
« Reply #2461 on: January 09, 2008, 10:14:10 pm »
Plot Summary (from IMDb):

When her husband, who founded the town's crusading local newspaper, doesn't come back from the French battlefields of World War I, a woman struggles to raise her two sons and keep the newspaper going. Matters are complicated by the fact that, several years later, one of the sons wants to turn the paper from its position as a hard-fighting champion of the working-class into an upscale society paper catering to the rich and powerful. Matters are complicated even further by rumors that their father was in fact NOT killed in France during the war but took another man's identity and is still living there.

Offline Meryl

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"R" is The Richest Girl in the World
« Reply #2462 on: January 09, 2008, 10:35:02 pm »


Starring Miriam Hopkins, Joel McRae and Fay Wray
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Offline southendmd

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"S" is The Scarlet Pimpernel
« Reply #2463 on: January 09, 2008, 11:23:20 pm »


Starring Leslie Howard and Merle Oberon.

Offline memento

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"T" is The Thin Man
« Reply #2464 on: January 10, 2008, 12:40:03 am »

Offline dot-matrix

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"U" Unfinished Symphony
« Reply #2465 on: January 10, 2008, 04:39:05 am »
Director: Willy Forst.
Co-Director: (for English version) Anthony Asquith.

Cast:
Hans Jaray - Schubert
Martha Eggerth - Caroline Esterhazy
Helen Chandler - Emmie Passenter
Ronald Squire - Count Esterhazy
Brember Wills - Secretary
Beryl Laverick - Mary Esterhazy
Hermine Sterler - Princess Kinsky
Cecil Humphries - Saliere
Paul Wagner - Lt. Folliot
Eliot Makeham - Joseph Passenter

Synopsis: Franz Schubert, poor and miserable, and an unsuccessful composer, falls in love with Emmy, daughter of a pawnbroker. A rich friend arranges for Schubert to play at a command performance organised by Princess Kinsky. Schubert plays a solo piano version of his new, uncompleted Symphony in B Minor. Halfway through, the aristocratic Caroline Esterhazy is beard to be giggling at a private joke. The young composer leaves in a rage. Caroline, however, is impressed and persuades her father to engage him as music teacher. Schubert falls in love with her and completes his symphony under her spell. Though she returns his love, Caroline is obliged by her family to marry a fellow aristocrat. In despair, Schubert tears out the final pages of his symphony, wanting it to remain, like his great passion, unfulfilled.
Excerpt© 'Puffin Asquith' by R.J. Minney.
taken from www.britmovie.co.uk
Life is not a dress rehearsal

Offline MaineWriter

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"V" is Viva Villa!
« Reply #2466 on: January 10, 2008, 07:36:44 am »
==from Filmsite==

Viva Villa! (1934), 115 minutes, D: Jack Conway, Howard Hawks (uncredited)

The action-packed, loosely-historical account of Mexico's legendary bandit/hero. Pancho Villa (Wallace Beery) begins as a bandit leader in the Mexican hills who steals from the rich and assists the poor. He later battles with the Federales in the revolutionary struggle for the Mexican Republic. After his victory, he reverts to banditry, but then returns again in triumph to declare himself President of the country, after which he soon retires to his ranch. With additional characters including an aristocratic woman Teresa (Fay Wray) who falls in love with him, and an American journalist Johnny Sykes (Stuart Erwin) who helps create the Villa legend. Probably Wallace Beery's best screen performance ever.

« Last Edit: January 10, 2008, 02:19:41 pm by MaineWriter »
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Offline Meryl

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"W" is We're Not Dressing
« Reply #2467 on: January 10, 2008, 01:28:35 pm »


We're Not Dressing is a 1934 film starring Bing Crosby, Carole Lombard, Burns and Allen, Ray Milland and Ethel Merman. Based on the 1902 J. M. Barrie play, The Admirable Crichton, the movie was directed by Norman Taurog.
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Offline MaineWriter

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Wildcard "X" is Manhattan Melodrama
« Reply #2468 on: January 10, 2008, 02:21:51 pm »
==from Filmsite==

Manhattan Melodrama (1934), 93 minutes, D: W.S. Van Dyke II
Two New York City boyhood friends, Blackie Gallagher (Mickey Rooney as boy, Clark Gable as adult) and Jim Wade (Jimmy Butler as boy, William Powell as adult) are raised as orphans together, and grow up to choose opposite sides of the law - Gallagher becomes a slick gangster and racketeer, and Wade a noble and aggressive District Attorney. They both fall in love with the same charming woman Eleanor (Myrna Loy) who is caught between opposing forces. Their paths cross later in a murder trial. Notable for the first film teaming Powell and Loy (who later would become famous with The Thin Man series) and for being the film that bank robber John Dillinger watched (for its similarity to his own life), prior to being killed outside Chicago's Biograph Theatre by the FBI in 1934.



==from the FBI==



A BYTE OUT OF HISTORY:

The Fall of John Dillinger and the Rise of the FBI

07/23/04

The movie playing at the Biograph Theater on this hot, muggy summer night was Manhattan Melodrama, starring Clark Gable as the ruthless gangster Blackie Gallagher.

But it was the real-life drama starring notorious outlaw John Dillinger that was playing out on the streets of Chicago on this particular Sunday evening that would ultimately captivate the nation and forever transform the FBI.

On July 22, 1934--seventy years ago Thursday--a nervous Melvin Purvis, Special Agent in Charge of the Bureau's office in Chicago, stood near the Biograph box office. He'd seen Dillinger walk into the crowded theater about two hours earlier with two women, including one in an orange skirt (often called a "red dress") who had tipped off authorities that the wanted criminal would be there. Now, Purvis was waiting for Dillinger to re-emerge.

Suddenly, Purvis saw him. Purvis took out a match and lit his cigar. It was a pre-arranged signal to the Bureau agents and local police officers taking part in the operation, but in the thick crowd less than half a dozen of the men saw it.

In the past year, many such opportunities to catch the wanted outlaw and other gangsters had gone up in smoke. The Bureau had learned many lessons, often the hard way, in the process. Three months earlier, a special agent had been gunned down following a hastily planned raid on a Dillinger gang hideout in Wisconsin. And 13 months earlier, the Bureau had lost an agent and three law enforcement partners at the hands of "Pretty Boy" Floyd and others in the infamous "Kansas City Massacre."

But on this night, the Bureau was prepared. The arrangement of agents, the setting of the signal, and the careful preparation were evidence that the Bureau was learning how to catch the most violent criminals. The plan was not perfect, but it was sound, with agents covering all theater exits and directions Dillinger might take.

As Dillinger walked down the street, agents fell in behind him and closed in. Dillinger sensed something was wrong, and as Agent Charles Winstead would later describe, the gangster "whirled around and reached for his right front pocket [where he had a .380 Colt automatic pistol]. He started running sideways toward the alley."

Agents fired. Dillinger fell, mumbled a few words, and died.

The successful conclusion to the Dillinger manhunt was the beginning of the end of the gangster era and a cornerstone in the evolution of the Bureau. With new powers, new skills, and within a year, a new name--the Federal Bureau of Investigation--it was well on its way to becoming a premier law enforcement agency respected around the globe.
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Offline dot-matrix

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"Y" is You're Telling Me!
« Reply #2469 on: January 10, 2008, 02:52:04 pm »





Life is not a dress rehearsal