Who said "sorry" and/or "s'alright" in the tent scene, and whether or not Ennis said "I love you" in the closet scene!
Really, those are among the things I'm most avidly curious about.
Also, it would be nice to hear him discuss what went into creating all the symbolism and metaphors and ingenious structural forms that we often try to analyze here: the buckets, signs, clothing colors, numbers, fans, mirrored scenes, echoed gestures and so on. Personally, I believe most of them are very deliberate and carefully planned (some of them, of course, were planned by Annie and are in the original story, but many exist only in the film). One of the most fascinating things about the movie for me is how thorough and complex and subtle these are.
What I'm
not particularly interested in is Ang's analysis of the characters' inner lives or motivations: at what point Ennis recognized he was in love, why Jack stuck it out for 20 years, why Alma didn't tell Ennis what she saw, etc. I'd rather he left that for us to decide. Interpreting a work of art is a collaboration involving both creator and audience, and with a movie there are lots of creators. We tend to give the creators absolute authority, even if they don't agree among themselves. So I don't think anyone -- even Ang! even Diana and Larry! even Heath or Jake! even Annie!-- has the last word.