Thanks, darlin'. That might just do the trick. You see, I have Jack's blue-eyed stare on one wall. Thought I'd put that one on the opposite. I'm debating between doing that and just using one of Ennis' lovely close-ups - either the one in Aguirre's office where his face looks so open and vulnerable or the one where he's looking up worriedly at Jack riding up the mountain while he rinses out the coffee pot. Haven't decided...