I went back and looked for the thread but couldn't find it. Did you copy the entire thing of just the OP? I'd love to read the whole thing.
No, RouxB, unfortunately, only copied this post. Foolish, now, in hindsight.
Just had some whiskey, folks (had a large Poker tournament at my house tonight) and I find myself wanting to respond to many of the posts above.
I think I basically agree with Julie (and others) above - Ennis cut Cassie off because he knew he couldn't "be" for her - but he wasn't about to take up with Jack.
And we're back to my basic fascination with the subtle and not-so-subtle differences between the Film and the Story in this way - the look on Jack's face as Ennis drives away (so beautifully and painfully contrasted with the look on his face in the flashback as Ennis rides away) seems so different to me than the "let be, let be" that Jack (apparently) thinks to himself after stirring the memory of the HUG and after "torquing things back." I see this difference as fundamental until I contemplate the fact that Jack had said something to his folks about the "ranch neighbor" after he and Ennis parted that spring. . . so maybe the look on Jack's face is not so out of place (vis a vis the Story) after all?
As to the notion that "see you in the morning" refers to the afterlife or some such, I believe the poster from IMDB (whom Ellemeno tells me is here!) implied as much in her post OR explicitly said such on another post on that IMDB thread from which I drew this post, if y'all can follow me here. This leads me to another set of contemplations that just came up, so don't take this as "mark doctrine" but I don't find much in the Story in terms of fatefully weighted words, e.g., words a speaker says which carry far more import in light of the author/reader's knowledge of the speaking character's fate than would otherwise apply to the spoken words themselves. There must be a literary term for what I'm describing here and I just can't come up with it (or perhaps never learned to recognize it by that name). Basically, although there is a LOT of emotional import in the story placed on simple things the characters say (e.g., "sure seem in one piece to me," "Jack, I swear," etc.) I don't see much where the characters themselves are "oracles" of their future, except in the strictly emotional sense - as another example, Ennis saying "if you can't fix it, you got a stand it" and then "standing" it for 16 years. By the motel scene in the Story, we know the relationship is doomed, but does anything either of them say really tell us HOW the doom will work out? If we got strong hints, I would call that (I suppose) oracular statements - which in the context of the story mean more than they say. I don't get that from many or really any other conversations in the Story. Thus, as much as I LOVE the idea that the flashback dialog pointed out something about their being together in the "afterlife" or similar, I just don't think it fits the Story.
Is anyone down with this ramble? As soon as possible I will watch the DVD again (or read the screenplay) and see if I catch any of the characters speaking "oracularly."
All this is not to say, BTW, that Ang Lee did not put a TREMENDOUS amount of foreshadowing and (clearly) symbolic events into the film.