It is strange, but after my book, I have done little analysis. The only thing I am continually going over in my mind is how similar TS2 is to the second chapter of Dark Night of the Soul and what that means. There are certain things that this film led me to look at in more detail than I would have ever thought that I would want to. I am glad now that I have followed the paths of consciousness the film led me down, but I cannot find it in my heart to go back up to the top and find new ones. Sometimes people ask me what I think a certain scene means, and in correlation with the remaining themes that I've discovered: Love, Beauty, Truth, Wisdom, Spiritual Communion, Redemption.... Eros, Thanatos, Happiness, Individuality, Sexuality... These are the broad and narrow themes that I can find recurring over and over again in various scenes... Once we've discovered it once then, haven't we explored it already.
I think we have much to thank from Casey Cornelius's work in bringing classical symbols to the forefront. The Aeneid, in the few years after it came out, was heralded by the Roman Republic as a vast and important work, and many believed it to be so, and had deep emotional connections with it. Within a few years, this emotional connection had faded somewhat as the people of the Roman Republic (now bound together in the spiritual focus of their people, the fate of the Roman Empire, as made clear by the Aeneid) went about their daily lives. In fact, it was really only preserved completely in the temples and governmental institutions of the day, since it was their powers that the text legitimized.
The point that I am making is that it may be that each generation can only deeply become imbedded in a subject once before finding their way out again, their lives being made better by the experience. Future generations will discover its meanings and discuss them much the same as we have today and future lives will be vastly improved, and there is great hope and joy in that thought.