Author Topic: ABCs at the Movies: The Doubles Round!  (Read 2570379 times)

Offline oilgun

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"O" is Other Men's Women
« Reply #2570 on: January 16, 2008, 10:35:40 pm »
A recipe for disaster I'm sure...



Offline dot-matrix

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"P" is The Public Defender
« Reply #2571 on: January 16, 2008, 11:46:06 pm »
Cast: Richard Dix, Shirley Grey, Purnell Pratt, Ruth Weston;
Directed by: J. Walter Ruben

From IMDbThis is a great early pic from RKO and one of the best!

Rich playboy Pike Winslow dons the mantle of 'The Reckoner', a mysterious avenger, when he learns that his lady friend Barbara Gerry's father has been framed in a bank embezzlement scandal. Using meticulous planning and split-second timing, Pike, along with his associates, the erudite 'Professor' and tough-guy scrapper 'Doc', attempt to find proof that will clear Gerry and identify the real culprits


Life is not a dress rehearsal

Offline Meryl

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"Q" is Quick Millions
« Reply #2572 on: January 17, 2008, 12:52:24 am »


Starring Spencer Tracy, Marguerite Churchill and George Raft

Truck driver Bugs Raymond organizes the trucking associations and takes protection money. Now rich, he decides to marry socialite Dorothy Stone. She rejects him for another, so he makes plans to kidnap her on her wedding day.
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Offline southendmd

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"R" is Red Riding Hood
« Reply #2573 on: January 17, 2008, 09:43:17 am »
IMDb:  Some of these Van Buren Studio cartoons were really wild. They had a Tex Avery-Heck Allen sense of outrageous humor.

In this version of Little Red Riding Hood, Grandma is home feeling old and very ill, with a bad ticker. The doctor gives her a teaspoon of "jazz juice" and she suddenly alive. After the doctor leaves, she drinks more and then pours it all over herself. Suddenly, she looks and feels 20 years old. She's a hot number!

The big bad wolf motors up to the house (in funny fashion), enters asks "Who are you."

"I'm grandma," she coyly replies. "Wow, some grandma," says the wolf, who is impressed. He sits down at the pipe organ and starts belting out a number while she starts dancing, shaking her hips. (I told you; these cartoons are pretty crazy, and fun to watch. You don't know what bizarre thing you'll see next.)

The last two minutes couldn't equal the first two-thirds of this but overall it was a fun cartoon and another good example of early '30s somewhat adult-oriented cartoons.

I saw this 'Little Red Riding Hood" version on a DVD called "150 Cartoon Classic" by Mill Creek Entertainment.

Offline MaineWriter

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"S" is The Sin of Madelon Claudet
« Reply #2574 on: January 17, 2008, 10:24:12 am »
from filmsite.org:  A sentimental tale of a French woman Madelon Claudet (Helen Hayes) who has an illegitimate son. She is forced to give him up, loses her social standing, and becomes a haggard streetwalker. She secretly devotes her entire life to her son (Robert Young), even supporting him financially in medical school.





And a bit of trivia...

Because she left her movie career behind in the 1930s and returned to the Broadway theater, Helen Hayes is mostly remembered by movie fans as the elderly lady who won a Best Supporting Actress Oscar in 1970 playing an airline passenger in "Airport." Already established as the "First Lady" of the American theater by the 1930s, she had no real reason to hang around Hollywood once it was clear she wasn't going to grow into a big box office star. But she won the Best Actress Oscar for this movie in her debut role in talking pictures--and deserved it. Young and oddly-attractive, Hayes played a woman who sacrifices everything so her son can become a doctor, eventually winding up as a streetwalker. I'd say she did a magnificent job. Her movie son was played by Robert Young, who grew up to be TV's "Marcus Welby, M.D."

for Paul, MD!
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Offline dot-matrix

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"T" is The Tip Off
« Reply #2575 on: January 17, 2008, 12:32:11 pm »
Cast: Eddie Quillan, Robert Armstrong, Ginger Rogers, Joan Peers, Ernie Adams;
Directed by: Albert Rogell

Lovable boxer (Armstrong) and vivacious girlfriend (Rogers) save less-than-bright friend from getting involved with mean mobster's girlfriend. Major chemistry between Rogers and Armstrong.

 
Life is not a dress rehearsal

Offline southendmd

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"U" is The Ugly Duckling
« Reply #2576 on: January 17, 2008, 01:04:46 pm »


IMDb:  During the ten-year period that the Disney animators produced their delightful Silly Symphony series there was only one story they chose to dramatize twice, Hans Christian Andersen's "The Ugly Duckling." The studio released two quite different versions of the story in 1931 and 1939, at the beginning of the series' history and at the end. The latter adaptation displays all the sophisticated techniques the animators had developed during that eventful era: it's in glorious Technicolor, the draftsmanship and character animation are superb, and the storytelling is clear, concise, and funny. And yet there's something to be said for the comparatively primitive black & white version of 1931. For one thing, and whatever the animators' intentions may have been, it appears to be a very deliberate parable condemning racial prejudice.

Offline MaineWriter

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"V" is The Viking
« Reply #2577 on: January 17, 2008, 01:23:41 pm »
Daniel Yates who lives in Montreal has this to say about "The Viking" (from IMDb):

As the first Canadian sound film, "The Viking", is one of the most important films in the history of Canadian Cinema. That's kind of ironic considering that it was shot in Newfoundland (then owned by Britain) with an American cast and an American crew. Sure the producer, writer, and co-director Varick Frissell spent a lot of time in Canada, but he was still an American. So why does this film feel so Canadian? Well it's badly acted, thinly plotted, yet beautifully photographed. What could be more Canadian than that? Ok, ok not all Canadian films are that bad, but "The Viking" is. That's not Frissell's fault, he fought to keep out the love/jealousy story that ruins the film. But all joking aside, I think the reason "The Viking" feels so Canadian (even to us Canadians) is unfortunately because it has all the stereotypes of our country that American audiences expect: cold, barren landscapes, lots of snow, and rugged, but jovial people.

"The Viking" is kind of a testament the hold America has over us. Even though we know that Canada is not like that all year round, we buy into the fact when we see it on the screen. Although Newfoundland winters are exactly as shown in the movie, (American) audiences will not understand that it is only in the winter time when things look like this. The film can't be faulted entirely though. Like I mentioned before, it is stunningly photographed, and without the current story, and with more emphasis on the seal hunting (the way Frissell intended), it could have been a very good film. One that I would have been glad to call Canadian no matter where it came from.

additional note from Leslie

Apparently you can buy "The Viking" as a DVD packaged with a 2002 documentary named "White Thunder." From the National Film Board of Canada website:

On March 9, 1931, the SS Viking left the port of St. John's, Newfoundland, and sailed into motion picture history.

On board - New York filmmaker Varick Frissell and an unusual crew of seamen and Hollywood movie people. Their mission - to shoot the final scenes for an epic film on the lives of Newfoundland sealers.

On March 15 an accidental onboard explosion killed Frissell and 26 other men.

White Thunder, directed by St. John's filmmaker Victoria King, is a gripping account of that tragic adventure and an elegant tribute to an early film pioneer.

Interestingly, there is no synopsis or description of "White Thunder" at IMDb, and no mention of Frissell's death at "The Viking" entry. Where is oilgun, our resident Canadian expert. Do you know anything about either of these movies? --Leslie
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Offline Meryl

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"W" is Waterloo Bridge
« Reply #2578 on: January 17, 2008, 02:50:25 pm »


Directed by James Whale, the screenplay was from the popular Broadway play by Robert E. Sherwood. The film stars Mae Clarke and Douglass Montgomery (billed as Kent Douglass), and features one of the earliest appearances by Bette Davis.

The story of this Pre-Code film concerns a chorus girl turned prostitute in World War I and her meeting and relationship with a naive young soldier.

(1931 was a banner year for Mae Clarke. She also played the woman into whose face James Cagney pushed a grapefruit in The Public Enemy as well as the bride of Frankenstein stalked by Boris Karloff in the original version of Frankenstein.)
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Offline dot-matrix

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Wild Card "X" is Five and Ten
« Reply #2579 on: January 17, 2008, 03:53:04 pm »
Average rating on IMDb 8.7 stars out of 10

Solid film with terrific performances by Marion Davies as an heiress, Leslie Howard as the man she loves, and Douglass Montgomery (billed as Kent Douglass) as her tragic brother.

 Marion Davies ...  Jennifer Rarick
 Leslie Howard ...  Berry Rhodes
 Richard Bennett ...  John G. Rarick
 Irene Rich ...  Jenny Rarick
 Douglass Montgomery ...  Avery Rarick (as Kent Douglass)
 Mary Duncan ...  Muriel Preston

 

 Best Quote:

 Bertram 'Berry' Rhodes: What kind of woman are you to make a man forget his fiancée?
Jennifer Rarick: What kind of man are you to make a woman forget a man's fiancée?
Life is not a dress rehearsal