The love story depicted in Brokeback Mountain is as traditional as that depicted in Casablanca, Romeo & Juliet, or Gone with the Wind, but instead of war, family rivalry, or
the general bitchiness of one of the characters getting in the way, societal prejudice is the culprit. This is not to say that the film explicitly attempts to make some sort of statement about gay rights or social injustice. If anything,
the film’s unswerving focus on
the relationship, treating it with the same narrative respect reserved for Rhett and Scarlett or Harry and Sally, is a statement in and of itself. That Lee, Ledger, and everyone else involved are in top form elevates this film from mere
gimmick to a work
of universal substance, earning its heartbreak every step of the way.