"When Jake Gyllenhaal and Heath Ledger wrestle their way into the sack together for the first time in Ang Lee's
Brokeback Mountain, they are ripp
ing away at much more than their dirt-caked jeans. With one tumultuous lovemak
ing scene -- it's more like love-attack
ing, actually -- the two intrepid young actors manage to bust up several mythologies at once.
"The most obvious is the myth of the cowboy West, a land of manlier-than-thou men who release any pent-up long
ings with a quick stop at the local cathouse and a long drag on a Marlboro cigarette.
"The second --
belied by the dizzy
ing workload in store for both stars -- is that complex, sexually active gay characters (as opposed to the minstrel-show buffoons that mince through
The Producers) are a death knell for act
ing careers.
"The third to go is the weary
ing mythology of hype, the radical expectations of sexual explicitness stirred up by the film's triumphal march through film festivals in Venice and Toronto.
"On that score, we can all settle down a bit. If Lee stirs up the dust at all in his portrayal of two sheepherders in love, he does so through the most mainstream language available. Like many revolutionary acts of cinema,
Brokeback Mountain disarms with weapons of mass instruction."