Author Topic: Heath Heath Heath  (Read 4304026 times)

Offline Fran

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Re: Heath Heath Heath
« Reply #6120 on: August 08, 2008, 08:41:40 am »
This is most likely a repeat, but I think we need a photo on this page.  :)


Offline MaineWriter

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Re: Heath Heath Heath
« Reply #6121 on: August 08, 2008, 09:28:00 am »
Kelda posted this on another thread, so I am borrowing it, but I love this picture...it cracks me up. From Casanova, of course!

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Offline Meryl

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Re: Heath Heath Heath
« Reply #6122 on: August 08, 2008, 02:10:42 pm »
Good sleuthing on the Alexander Technique, Elle, thanks!  That interview with the producer of Candy is a gem, a real find.  8)
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Offline optom3

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Re: Heath Heath Heath
« Reply #6123 on: August 08, 2008, 02:24:39 pm »
This is most likely a repeat, but I think we need a photo on this page.  :)



One of my very favourite photos and badly needed at this point.
Reading such wonderful and sensitive pieces about Heath, just cut through my heart again, like a knife through butter. We have lost someone so intinsically talented and at the same time, human and unassuming that sometimes it is very very hard to bear. I guess I am just having a bad day.

Offline Artiste

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Re: Heath Heath Heath
« Reply #6124 on: August 08, 2008, 02:53:16 pm »
Optom, that is a very wonderful pic of Heath, so young and... much in him and much to learn !! ??

Offline optom3

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Re: Heath Heath Heath
« Reply #6125 on: August 08, 2008, 04:47:11 pm »
Kelda posted this on another thread, so I am borrowing it, but I love this picture...it cracks me up. From Casanova, of course!



It is so ridiculously cute,with the  bare shins, above socks and boots.
Have I discovered another Casanova fan??
 I love it, I keep boring everyone with the point, that I think Heath had a wonderfully light comedic touch.He underplayed in Casanova almost a much as in BBM albeit for different reasons and effect.
Casanova could so easily have been a slapstick romp in more clumsy hands, and it simply wasn't.

Offline MaineWriter

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Re: Heath Heath Heath
« Reply #6126 on: August 08, 2008, 05:18:55 pm »
Yes, I am a Casanova fan.

In fact, the 2nd time I went to see BBM, the theater was completely sold out. Since my daughter and I had been standing in line for a while, we decided to buy tickets to go see Casanova...which probably, if it hadn't worked out that way, I would never have bothered seeing in the theater. I enjoyed it very much and in retrospect of everything that has happened, I am very very glad I did see it that day.

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Offline Gabreya

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Re: Heath Heath Heath
« Reply #6127 on: August 08, 2008, 05:37:24 pm »
 :laugh:That picture is funny and cute. He's such a sweetheart.

Btw, guys, what exactly is the Alexander technique?

Offline Ellemeno

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Re: Heath Heath Heath
« Reply #6128 on: August 08, 2008, 07:57:38 pm »
Oh I imagine there are many Casanova enthusiasts here.  I loved his easy breezy hauteur in it, coupled with his brooding "uh oh" portions.  His infatuation with Francesca Bruni left me a little flat though, less believable, but that could well be because it was the first movie I saw after seeing BBM dozens of times, and I didn't want him to have eyes for anyone but Jack.



Offline Ellemeno

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Re: Heath Heath Heath
« Reply #6129 on: August 08, 2008, 08:47:00 pm »
Here's a nice tribute to Heath by a blogger.  The original has clickable YouTube compilations from each film.

http://julia-mindovermatter.blogspot.com/2008/01/thursday-thirteen-40-13-of-heath.html

Thursday, January 31, 2008
Thursday Thirteen - 40 - 13 of Heath Ledger's Films
As I sat at my desk last week, typing away at my computer, I had the news on TV to my left. The words "the body of actor Heath Ledger" sliced through my thoughts. My head turned as I took in the sight of his picture in the top right corner of the screen, an announcer speaking words that cut at my heart in jagged stabs.

Heath Ledger has been a particular favorite of mine since I first saw him in the fantasy series Roar in the late 90's. Not just for his sexy voice and charismatic presence, but for his obvious acting chops - head-and-shoulders above his peers from the very beginning. My husband and I own a lot of his film work on tape and DVD, and as my husband is the Bat Fan Incarnate, we were waiting and waiting for the release of The Dark Knight this summer. For me, the news that Heath was playing The Joker was a sign that all was right with the world.

I still feel like I'm trying to process the reality of his death. To borrow the words of Daniel Day-Lewis, "I feel very unsettled at the moment. I didn't know him. I have a strong impression, I would have liked him very much as a man if I had. I'd already marvelled at some of his work, and had looked forward so much to seeing the work that he would do in the future."

Today's Thursday Thirteen salutes some of Heath Ledger's body of work.



1 - Roar - 1997 - 2000

"Roar features Conor, the freedom fighter circa A.D. 400,in the new sword-and-sorcery adventure series. This show doesn't pull that Hercules trick of inserting modern slang and sensibilities into an earlier era; it's more an attempt at the brooding romanticism of Koslow's bodice-ripper, 1987-90's Beauty and the Beast. And Ledger, a knockabout Australian, is handsome and muscular in a refreshingly non-bodybuilder way. The result is a TV show that looks great - all dark green forests and deep blue skies - but if it wants to distinguish itself from its genre, it has to get a lot more moodily grim." - Ken Tucker, Entertainment Weekly


2 - 10 Things I Hate About You - 1999

"10 Things I Hate About You is inspired by Shakespeare's The Taming of the Shrew. Two guys want to take Bianca to the prom. One is shy and likable. The other is a blowhard. But Bianca's father (Larry Miller) has forbidden her to date until her older sister Katarina (Julia Stiles) starts going out. So they hatch a plot to persuade Patrick (Heath Ledger), the school outlaw, to ask Kat to the prom. He takes a $300 bribe, but then realizes that Kat is actually quite lovely, etc., and really falls in love with her, after which, etc. I liked the sweet, tentative feeling between Ledger and Stiles. He has a scene that brings the whole movie to an enjoyable halt. Trying to win her heart, he waits until she's on the athletic field, and then sings `I love you baby' over the P.A. system, having bribed the school's marching band to accompany him." - Roger Ebert, Chicago Sun-Times


3 - Two Hands - 1999

"Star-on-the rise Heath Ledger is both attractive and charming, the perfect matinee combination, as the naïve would-be crim and spruiker (hoodlum), Jimmy. He is also a deft dramatic actor with a charismatic screen presence not seen in the Australian cinema since Russell Crowe. It's a sharp black comedy, a farce (a robbery scene which is hilarious), a romance, a thriller and of course the classically structured gangster film. All of which are masterfully directed by dazzling first-time feature director, Gregor Jordan, who not only effortlessly displays skills here as a visually impressive movie director, but his detail of character is brilliant." - Paul Fischer, Urban Cinephile


4 - The Patriot - 2000

"The moment war threatens his family, Benjamin (Mel Gibson) becomes the guerrilla fighter he was during the French and Indian War. Determined to rescue Gabriel (Heath Ledger) from the gallows, he sneak-attacks twenty of His Majesty's soldiers from a bluff. Gibson, himself the parent of seven, brings ardor and complexity to this conflicted father. His scenes with Ledger (Ten Things I Hate About You) - the Aussie newcomer has the talent and looks to become a major star - provide an intimacy that holds an overlong film together against the winds of bombast, irrelevant romance and relentless revenge." - Peter Travers, Rolling Stone


5 - A Knight's Tale - 2001

"The hero of A Knight's Tale, William (Heath Ledger), is locked into serfdom, and is determined to change his stars. William wants to be a knight and seizes the opportunity when the knight he serves dies. He pretends to be nobility and adopts a ludicrously royal-sounding name, since 'only noble knights can compete.' Mr. Ledger has a courtly manner and he's very likable; he pays attention to the other actors and is bowled over by Jocelyn (Shannyn Sossamon). Although he's the star, he cedes scenes well. To further connect with the young audience, William's dirty blond hair is stylishly tangled in dreadlocks. He's an antediluvian skate punk dancing to Bowie's Golden Years, with action sequences playing to The Boys Are Back in Town, We Are the Champions (of course) and Rare Earth's lugubrious cover of Get Ready." - Elvis Mitchell, The New York Times


6 - Monster's Ball - 2001

"Billy Bob Thornton plays Hank Grotowski, a prison guard on death row. Emotionally, Hank's a hollow shell, filled to the brim with hate spewed from his invalid Klansman father (Peter Boyle). Hank pours his bile onto his grown boy, Sonny (Heath Ledger). The broken lad seeks solace in whiskey-blurred couplings with a truck-stop whore. Emotional tension in the Grotowski household boils over when Sonny, also a guard on death row, bungles the solemn 'walk' that brings condemned murderer Lawrence Musgrove (Sean "P. Diddy" Combs) to the execution chamber. Hank beats him in public, setting a calamitous chain of events in motion. In the aftermath, Hank finds solace at a local diner where a new waitress, Leticia Musgrove (Halle Berry), serves him chocolate ice cream, which he will only eat with a plastic spoon. We already know Leticia is Lawrence's widow.

Ledger is surprisingly deft at playing a wounded soul; though he's already a respected actor in his native Australia, this performance will help him shed the pretty-boy image that Hollywood has slapped onto him." - Tor Thorsen, Reel.com


7 - The Four Feathers - 2002

"Harry Faversham (Heath Ledger) is the son of a decorated general. He's part of England's elite — an officer cadet at a top military academy, attends balls with his similarly pampered chums, and is engaged to a fetching debutante, Ethne (Kate Hudson). However, Harry's upper-crust bubble bursts when it's announced that the Madhi, an Osama-bin-Laden-like cleric leading an army of 'fanatics', has attacked a strategic British fort in the Sudan. Harry and his classmates, including Jack (Wes Bentley) are ordered to pack up and ship out. On the eve of his departure, Harry has second thoughts. He questions what business England has in the Sudan in the first place, abruptly resigning his commission the next morning.

His friends and fiancee send Harry four white feathers as symbols of his lily-livered-ness. In order to redeem himself, he hops on the next ship to the Sudan. The Four Feathers is as much a personal journey as it is a cross-continental trek. As well as ace lensman Robert Richardson's cinematography conveys the desolation of the Sudanese desert, it's the actors who add detail to The Four Feathers canvas. In the case of Ledger and Bentley, each does a splendid job of showing how war quickly makes grizzled men out of fresh-faced boys. The duo also acquit themselves off the battlefield as two sides of a love triangle." - Tor Thorsen, Reel.com


8 - Ned Kelly - 2003

"The picture that emerges from this presentation of Ned Kelly is a Victorian police force that is as amoral as it is vicious and largely to blame for Ned’s life of crime. The film gives Heath Ledger a terrific vehicle and Ledger relishes it, creating a strong, silent type of Ned full of inner anguish, and a desperation born of circumstance. Several times he tries in vain to avoid killing police who are hunting them, and expressing his regret when he does. He is a tragic hero figure, but a hero figure all the same and Ledger makes a great impression, a real lasting image, as Ned Kelly. The story touches on the very roots of Australian pioneering society and should trigger a robust debate about the man and the myth." - Andrew L. Urban, Urban Cinephile


9 - The Order - 2003

"Alex Bernier (Heath Ledger) is one of the few remaining priests belonging to the Carolingian, an order that recognizes the existence of spirits, the paranormal and Latin-only Mass. In Rome to investigate the death of their friend, that couldn't be a suicide, they meet Eden (Benno Fürmann), a Sin Eater. Unfortunately for the Sin Eater, he keeps the sins that he 'eats' and will suffer a damned eternal life unless he can delegate his job to a new candidate. Now centuries old, Eden wants to retire and pass the important job of saving the excommunicated on to Alex, who is understandably hesitant about the proposal. Ledger does a great job portraying a character who should be much older than he is, always able to express the right amount of emotion when necessary. Crafty cinematography by Nicola Pecorini constantly keeps the surroundings dark and gloomy." - Scott S., Movie-Vault.com


10 - The Brothers Grimm - 2005

"Terry Gilliam rarely has it easy making movies. Whether its his unfinished Don Quixote or the brilliant Brazil, the suits always want him to change things. The Brothers Grimm, with the shots called by the brothers Weinstein, is no exception. If you're a Gilliam junkie, as I am, you go with it. Starring Matt Damon as the skeptical Will Grimm and Heath Ledger as his susceptible brother Jacob, Ledger fares better as the nerdy brother who goes along with Will's plan to scam German villagers with fake witches that the boys banish for a fee. But Jake keeps looking for real magic. Ledger lets us see the hope in Jake's eyes when the brothers enter a forest ruled by a genuinely evil Mirror Queen (Monica Bellucci). Gilliam is Jake at heart. It's Gilliam's chance to run amok, and watching him do it is eye-popping fun." - Peter Travers, Rolling Stone



11 - Brokeback Mountain - 2005

"Ennis del Mar (Heath Ledger) and Jack Twist (Jake Gyllenhaal) meet when they are hired to tend sheep on Brokeback Mountain during the summer of 1963. One thing leads to another between these young men of such opposite temperaments, and a summer romance blossoms in the isolation of their mountainside campsite. They return to their separate lives in one of the finest films of the year, a heartbreaking tale of the price paid for keeping desire and one's true nature a secret. It's Ledger who is truly transcendent. With Ang Lee's Brokeback Mountain, he breaks through to another level. Ennis is a man of few words who rarely shows what he's feeling, but Ledger, through body language and expression, is able to convey each conflicting emotion that has turned Ennis' life into something akin to purgatory." - Pam Grady, Reel.com


12 - Casanova - 2005

"He’s Casanova (Heath Ledger), and he has so many admirers he doesn’t need to sleep with the same woman more than once, and seldom does. How does he do it? Heath Ledger is proving himself as versatile as any working actor. This year, he’s successfully portrayed two entirely different roles; he’s gone from serious-as-a-heart-attack closeted homosexual cowboy in Brokeback Mountain to Casanova himself, a charming, playful socialite of a ladies man. If it doesn’t take talent to convincingly portray those characters in back to back movies, then what does? As Casanova, Ledger doesn’t play the material over the top; he lets the comedy speak for itself and focuses his attention on defining the cunning, seductive traits of the famed character. He's perfect for the role." - Blake French, Filmcritic.com


13 - The Dark Knight - 2008

"Christian Bale once again embodies the man behind the mask in The Dark Knight. The film reunites Bale with director Christopher Nolan and takes Batman across the world in his quest to fight a growing criminal threat. With the help of Lieutenant Jim Gordon (Gary Oldman) and District Attorney Harvey Dent (Aaron Eckhart), Batman has been making headway against local crime...until a rising criminal mastermind known as The Joker (Heath Ledger) unleashes a fresh reign of chaos across Gotham City. To stop this devious new menace--Batman's most personal and vicious enemy yet--he will have to use every high-tech weapon in his arsenal and confront everything he believes." - Synopsis from Movieweb.com