Does this have a theme song sung by Petula Clark? 
I always liked her!
PC 1965
[youtube=425,350]http://www.youtube.com/watch?v=f-oQ5KwRSMU[/youtube]
PC 2010
[youtube=425,350]http://www.youtube.com/watch?v=LyoWBlytqtA&NR=1[/youtube]
http://en.wikipedia.org/wiki/Petula_Clark"Downtown" era Neither Clark, who was performing in Canada when the song first received major air-play, nor Hatch realized the impact the song would have on their respective careers. Released in four different languages in late 1964, "Downtown" was a success in the UK, France (in both the English and the French versions), the Netherlands, Germany, Australia, Italy, and also Rhodesia, Japan, and India. During a visit to London, Warner Bros. executive Joe Smith heard it and acquired the rights for the United States. "Downtown" went to #1 on the American charts in January 1965, and three million copies were sold in America. It was the first of fifteen consecutive Top 40 hits Clark achieved in the United States, including "I Know a Place", "My Love", "A Sign of the Times", "I Couldn't Live Without Your Love", "This Is My Song" (from the Charles Chaplin film A Countess from Hong Kong), and "Don't Sleep in the Subway". The American recording industry honored her with Grammy Awards for "Best Rock & Roll Record" for "Downtown" in 1964 and for "Best Contemporary Female Vocal Performance" for "I Know a Place" in 1965. In 2003, her recording of "Downtown" was inducted into the Grammy Hall of Fame.
Clark's recording successes led to frequent appearances on American variety programs hosted by Ed Sullivan and Dean Martin, guest shots on Hullabaloo, Shindig!, The Kraft Music Hall, and The Hollywood Palace, and inclusion in musical specials such as The Best on Record and Rodgers and Hart Today.
Ad for the NBC-TV special that sparked controversy even before it aired In 1968, NBC-TV invited Clark to host her own special in the U.S., and in doing so she inadvertently made television history.
While singing a duet of "On the Path of Glory," an anti-war song that she had composed, with guest Harry Belafonte, she took hold of his arm, to the dismay of a representative from the Chrysler Corporation, the show's sponsor, who feared that the moment would incur the racist bigotry of Southern viewers. When he insisted that they substitute a different take, with Clark and Belafonte standing well away from one another, Clark and the executive producer of the show — her husband, Wolff — refused, destroyed all other takes of the song and delivered the finished program to NBC with the touch intact. The program aired on 8 April 1968, with high ratings and critical acclaim. (To commemorate the 40th anniversary of the original telecast, Clark and Wolff appeared at the Paley Center for Media in Manhattan on 22 September 2008, to discuss the broadcast and its impact, following a broadcast of the program.)
Clark later was the hostess of two more specials, another one for NBC and one for ABC - one which served as a pilot for a projected weekly series. Clark declined the offer in order to please her children, who disliked living in Los Angeles.
Clark revived her movie career in the late 1960s, starring in two big musical films. In Finian's Rainbow (1968), she starred opposite Fred Astaire and she was nominated for the Golden Globe Award for Best Actress - Motion Picture Musical or Comedy for her performance. With her role, she again made history by becoming Astaire's final on-screen dance partner. The following year she was cast with Peter O'Toole in Goodbye, Mr. Chips, a musical adaptation of the classic James Hilton novella. (Her last film to date has been the British production Never Never Land, released in 1980.) After that, her output of musical hits in the States diminished markedly, although she continued to record and make television appearances into the 1970s. By the mid-1970s, Clark scaled back her career in order to devote more time to her family. On December 31, 1976, she performed her hit song Downtown on BBC1's A Jubilee Of Music, celebrating British pop music for Queen Elizabeth II's impending Silver Jubilee.
Herb Alpert and his A&M record label benefitted from Clark's interest in encouraging new talent. In 1968, she brought French composer/arranger Michel Colombier to the States to work as her musical director and introduced him to Alpert. (He went on to co-write Purple Rain with Prince, composed the acclaimed pop symphony Wings and a number of soundtracks for American films.) Richard Carpenter credited her with bringing him and his sister Karen to Alpert's attention when they performed at a premiere party for Clark's film Goodbye, Mr. Chips.
