I finally watched La Vie en Rose and if Marion Cotillard's twitchy OTT performance is what AMPAS is into, then I'm officially relieved that Heath did NOT win for BbM! I thought she was just terrible and shame on the director for not reigning her in. She wasn't just chewing the scenery, she was swallowing it whole. She played Piaf's alcoholism like it was Parkinson's and made her to be such an unlikeable person it was a mystery that she had any friends at all.
By the end of the film when she's (yet again) deliriously screaming her dead lover's name, I was thinking, "The guy's dead, just get over it! Now it's your turn, die already!" Sorry, it was all too much swelling melodrama for me. Which is funny because the day before I watched an equally melodramatic & mainstream film, Jacquou le Croquant, and really enjoyed it. I think the difference is that I cared about the characters in Jacquou, but in this one, Piaf is portrayed as such a repulsive drunk that it was impossible for me to empathise.
I just feel like popping in here to voice an opposing opinion, if I may - in case anyone's pondering whether or not to see the film. I really enjoyed
La Vie en Rose, and admired Marion Cotillard's performance, which to me seemed Oscar-worthy enough (then again, I haven't got any respect for the Oscars since 2006). I thought the film was a wonderful and touching portrayal of true artistry conquering in the face of hopeless beginnings, severe health problems, substance abuse and any number of mishaps and personal difficulties. When
Je ne Regrette Rien rolled around it was so poignant, I wanted to stand and cheer!
There were problems with the film though, it was by no means perfect. The disjointed narrative (jumping back and forth in time) made Piaf's story difficult to follow for someone who wasn't overly familiar with her story. And the choice of scenes and incidents by which she was portrayed seemed focused a bit too much on the melodrama in her life (which apparently were the major parts, but still....) I didn't at all understand the director's choice to hide till the very end the fact that Piaf had a little daughter who died in infancy, as this must surely have informed her life and her many troubles in dealing with life, - troubles that the film otherwise took care to portray.
But all in all, a good film. I saw it with my mother who also enjoyed it very much, though had about the same objections as me.