Author Topic: ABCs at the Movies: The Doubles Round!  (Read 2557798 times)

Offline southendmd

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"M" is Murder Most Foul (1964)
« Reply #5930 on: May 18, 2009, 12:08:44 pm »
When Miss Marple joins a theatrical company after a blackmailer is murdered, several members of the troupe are also dispatched by this mysterious killer.


Offline memento

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"N" is Night of the Living Dead (1968)
« Reply #5931 on: May 19, 2009, 09:49:53 am »

From IMDB: A wave of mass murder sweeps across America as the recently dead return to life to kill and feast on their victims. A group of people board themselves up in an abandoned house to try and hold out against a small army of the undead. This is the classic low-budget horror film that is the model for recent hits such as the Evil Dead and The Blair Witch Project. George Romero stages a national disaster but reduces it to a single house for greater effect. The story focuses on the weaknesses of each of the characters in the house - their cowardice, their greedy, their stupidity etc. This makes the drama inside the house almost as palatable as the danger from outside and makes the characters more believable and important.

The undead are not huge works of special effects, nor are they anything other than lumbering beasts. But the threat they pose is well demonstrated - the film makes them feel unstoppable and relentless and makes their lingering presence more menacing and less comical than it could have been. The use of an unknown cast also makes it more realistic as none of them have any baggage. Duane Jones is the standout actor as Ben - who is not without flaws himself.

The downbeat, realistic atmosphere to the film gives it a greater sense of tension and continues right through to the very depressing conclusion. An excellent flagship for low budget horrors.

Offline Fran

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"O" is The Oxford Murders (2008)
« Reply #5932 on: May 19, 2009, 12:19:21 pm »

From IMDb:  At Oxford University, a professor and a grad student work together to try and stop a potential series of murders seemingly linked by mathematical symbols.

Offline Lynne

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"P" is Pan's Labyrinth (2006)
« Reply #5933 on: May 27, 2009, 10:11:36 pm »
From Amazon.com

Following a bloody civil war, young Ofelia enters a world of unimaginable cruelty when she moves in with her new stepfather, a tyrannical military officer. Armed with only her imagination, Ofelia discovers a mysterious labyrinth and meets a faun who sets her on a path to saving herself and her ailing mother. But soon, the lines between fantasy and reality begin to blur, and before Ofelia can turn back, she finds herself at the center of a ferocious battle between good and evil.

(Seems like the stepfather was always murdering someone...)
"Laß sein. Laß sein."

Offline memento

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Wildcard "Q" is Shallow Grave (1994)
« Reply #5934 on: May 31, 2009, 05:08:05 pm »

From IMDB: See, there's these three little piggies (Ewan McGregor, Kerry Fox and Christopher Eccleston) who live together as flatmates in Glasgow. The one thing that ties them together more than the genial contempt they have for one another, is the DOUBLE amount of contempt they have for everyone else. To take in extra rent money, they decide to let a spare room in their place. After having a lot of fun at the expense of many 'unsuitable' candidates, they decide to award the spot to a very dodgy looking character named Hugo, (Keith Allen), who has a shady demeanor and a rather large suitcase.

This situation is ripe for betrayal, deceit, coercion and oh, let's not leave out murder, shall we? It's dynamite with an unlit fuse, just missing a match. And that 'match' is finally struck when the three roommates find a nude Hugo dead the next morning in his room, and that in his mysterious suitcase is more cash than the three of them combined will make in a year.

Anybody hear a sizzling noise in the background? That's nothing. The explosion is coming, and it is a DOOZY! Director Danny Boyle and writer John Hodge certainly know their noir thrillers, and they skilfully weave the strands of this twisted story together like a Hitchcock chamber piece, filtered through the gimlet-eyed gaze of the Coen Brothers. With a Glaswegan accent, of course.

Offline Fran

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"R" is Les rivières pourpres (2000)
« Reply #5935 on: May 31, 2009, 07:07:25 pm »
Also known as:  The Crimson Rivers (UK) (USA)


From IMDb:  Two French policemen, one investigating a grisly murder at a remote mountain college, the other working on the desecration of a young girl's grave by skinheads, are brought together by the clues from their respective cases. Soon after they start working together, more murders are committed, and the pair begin to discover just what dark secrets are behind the killings.

Offline Lynne

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"S" is Shutter Island (2009)
« Reply #5936 on: June 02, 2009, 03:23:27 pm »
From IMDb:

It's 1954, and up-and-coming U.S. marshal Teddy Daniels is assigned to investigate the disappearance of a patient from Boston's Shutter Island Ashecliffe Hospital. He's been pushing for an assignment on the island for personal reasons, but before long he wonders whether he hasn't been brought there as part of a twisted plot by hospital doctors whose radical treatments range from unethical to illegal to downright sinister. Teddy's shrewd investigating skills soon provide a promising lead, but the hospital refuses him access to records he suspects would break the case wide open. As a hurricane cuts off communication with the mainland, more dangerous criminals "escape" in the confusion, and the puzzling, improbable clues multiply, Teddy begins to doubt everything - his memory, his partner, even his own sanity.
"Laß sein. Laß sein."

Offline oilgun

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"T" is Ted Bundy (2002)
« Reply #5937 on: June 03, 2009, 11:29:38 am »
Synopsis:   Docu-drama based on the life of Ted Bundy, a serial killer who killed at least 19 young women during the 1970's (though some sources say as many as 30 to 35 were murdered). Set from his college student years, to his first victims, his capture, escape from prison (twice), his final killing spree to his trial, conviction and execution

Offline Fran

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"U" is Údolí vcel (1968)
« Reply #5938 on: June 04, 2009, 10:46:36 pm »
Also known as:  Valley of the Bees


Plot Keywords:  Bats | Monk | Widow | Castle | Bee | Murder | Middle Ages | etc.

From IMDb:  Ondrej, a young boy who loves bees and bats, is introduced to his new mother, a woman much younger than his father...

Offline memento

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"V" is Viridiana (1961)
« Reply #5939 on: June 05, 2009, 03:25:18 pm »

From IMDB: Few film directors have worked with the sheer power and subversiveness that Spanish-born Luis Buñuel have. "Viridiana" is one of the best examples of the exiled Spaniard's feelings towards religious faith and its virtues- or his strong denial of religion as a virtue.

Buñuel started out as a Surrealist, and although he left the Surrealist Circle of Paris lead by André Breton, he always kept elements of Surrealism in his work, to the bitter end. So too in "Viridiana", where dreams play a small, but important part of the narrative, dreams being the Surrealists' main theme as a way of discovering repressed sexuality and aggression. Viridiana is a young nun who is, on the grounds of showing human compassion, talked into visiting her uncle Don Jaime, who is ill. Don Jaime, played by Buñuel regular Fernando Rey, is caring, but perverse. He falls in love with his niece, and does everything with the help of his maid, to keep Viridiana from parting to the convent, including lying to her and seducing her while she is trainquilized.

I am not going to give away all the events of the film, but the corruption of humanity and Christianity are soon evident, as Viridiana tries to help poor beggars and give them a worthy life. Her attempts at Christian charity are only met with self-pity and egocentricity, as the beggars go on a rampage reminiscient of the last supper of Jesus christ and his disciples. Violence, murder, gluttony and rape are all included to make a clear picture of the way the beggars have lost their human virtues to the hardship of poverty. We see the events through Viridiana's eyes, and everything she goes through suggests a broken belief in the goodness of both human beings and the faith she kept for so long.

A masterpiece in revolutionary cinema, this film won the Palm d' Or at Cannes in 1961, and the Spanish Board of Film were all fired afterwards, as Franco's regime could not quite swallow that "Viridiana" was the official Spanish contribution to the Festival.