Author Topic: Lesbian and/or Feminist Literature and Writing  (Read 37357 times)

Offline Brown Eyes

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Lesbian and/or Feminist Literature and Writing
« on: December 04, 2008, 12:04:34 am »
Heya!

This new thread is an off-shoot of the long-running thread here in Culture Tent dedicated to the books (and movie adaptations) by the wonderful Sarah Waters.  Here's a link to the thread dedicated to Waters: http://bettermost.net/forum/index.php/topic,16313.0.html

Milli and I thought it would be fun to have a second, more free-wheeling thread for recommendations and discussions about literature with lesbian or feminist themes by a wide range of authors.

To kick things off, I'll mention a book that Milli actually recommended to me not too long ago.  Both Milli and I have learned that we both tend to like lesbian novels that involve a historical perspective or a "period" setting. Sarah Waters, is of course, a major example of an author who writes historical lesbian fiction.  And, this one also certainly fits that category.

It's called Beyond the Pale by a woman with the amazing name of Elana Dykewomon.

<img src="http://www.divshare.com/img/5996507-ea3.jpg" border="0" />

I've only read about 3/4 of it so far.  So, I'll wait to give my overall review until I finish.  But, so far, it's absolutely riveting. It's fascinating for the overall history and societies it describes as much as for the lesbian content. It's an amazingly well-written story about a topic that must have involved a lot of petty indept research.  I'm going to copy the book's back cover description here to provide a summary:

"Set in the early 20th century, Beyond the Pale follows the lives of Chava and Gutke, two women born in a Russian-Jewish settlement who ultimately immigrate to New York's Lower East Side.  This is an honest and passionate look into a specific past: a world of midwifery; Russian pogroms; the immigrant experience and the New York suffrage movement.  It is an enduring tale of triumph, love and courage over inhumanity.  But, at it's heart lies the most universal story of all: the devotion of one person to another."

And, here's what the back cover says about the author:

"Elana Dykewomon is the author of the bestselling novel Riverfinger Women, as well as Nothing Will Be As Sweet As the Taste and They Will Know Me By My Teeth.  She was an editor of Sinister Wisdom and now teaches at San Francisco State University.  Still an activist and cultural worker, she lives in Oakland, California."

Judging by how smart and complex Beyond the Pale is proving to be as I read it... it seems like it might be well worth looking into some of her other books.


« Last Edit: December 04, 2008, 11:52:34 pm by atz75 »
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Offline Lumière

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Re: Lesbian and/or Feminist Literature
« Reply #1 on: December 04, 2008, 02:19:51 pm »
Hey Amanda,

Thank you for starting this thread, Bud. :)


I am eager to read your review of Elana Dykewomon's amazing Beyond the Pale.

Here is another review from Amazon.com:

Amazon.com Review
Elana Dykewomon's Lambda Award-winning novel Beyond the Pale announces itself to the world with an infant's scream--"a new voice, a tiny shofar announcing its own first year." The midwife attending this birth is Gutke Gurvich, a half-Jew with different colored eyes and a gift for seeing into the spirit world. Beyond the Pale is Gutke's story, detailing her odyssey from a Russian shtetl to a comfortable Manhattan brownstone. But, as Dykewomon puts it, "Whenever you tell the story of one woman, inside is another," and this rich, multilayered novel is also the story of Chava Meyer, the baby girl Gutke delivered that day, as well as the story of the important women in both of their lives: mothers, sisters, neighbors, lovers, friends. After seeing her mother raped and killed during a particularly vicious progrom in her native village of Kishinev, Chava immigrates to America. There, on Manhattan's Lower East Side, both she and Gutke find themselves involved in the nascent labor union and suffrage movements. Dykewomon has clearly done her research here, and Beyond the Pale presents a beautifully detailed account of life among turn-of-the-century immigrant Jews, from classes at the Henry Street Settlement House to the tragic Triangle Shirtwaist Fire. Through the lens of several lesbians' lives, Dykewomon draws a portrait of an entire Diasporan community living through the terror and uncertainties of both Russian progroms and life in the New World. --This text refers to an out of print or unavailable edition of this title.



I am sure you already know what I think of this book - I loved it from the first page to the last; I laughed and I cried as I read it.  I enjoyed the journey she took me on as she described Chava and Gutke's lives and the people/events that shaped them.  Ms Dykewomon, not unlike other authoresses such as Sarah Waters and Emma Donoghue, has thoroughly mastered the skill of storytelling, IMO.

After reading Beyond the Pale, I went looking for some more of her work ...


She has an upcoming novel called Risk, set for release in April 2009.




From Amazon.com:
Risk is a beautifully told story that spans the years from the mid-eighties to the post-9/11 world. Carol is an idealistic, Berkeley-educated, Jewish lesbian living in Oakland, California. Downwardly mobile, the Berkeley grad makes her living by tutoring high school students. Through Carol’s life, Dykewomon explores the changing times and values in America.



I have recently acquired one of her very popular books published in the 70s - Riverfinger Women
I had to order it from a used books seller on Amazon but it was in great condition and surprisingly cheap. ;)





Publisher's Note -  Riverfinger Women:
Since Inez Riverfinger's arrival on the scene in 1974, women have hailed `Riverfinger Women" as an indispensable classic of lesbian life.

Recapture the exhilaration and pain of being young and lesbian in the anti-war '60's in this salty tour de force, this romp through a unique time of personal and sexual discovery.



I also just ordered another one of her novels (again, from a used books seller on Amazon), Moon Creek Road - a collection of short stories.




Amazon Product Description:
A collection of short stories that engages readers in not only the lesbian lifestyle, relationships, family issues, political concerns, but also the Jewishness of their lives. This is critical; we read to find our reflection, to validate our emotions, history, experiences and dreams. Moon Creek Road will do that for the Jewish women who read it and will engage other lesbians because of its depth, creativity, and emotional exploration of lesbian relationships.



Got a lot of wonderful reading ahead of me.
This thread will be an excellent spot for recommending great books and reviewing/discussing the ones we have read.   :)
Should be fun!


~M





Offline Brown Eyes

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Re: Lesbian and/or Feminist Literature and Writing
« Reply #2 on: December 04, 2008, 11:51:37 pm »
Hi Milli!
Thanks for all this info about her other works and forthcoming project!  Based on the quality of Beyond the Pale, I'll certainly look into her other writing down the road.

<img src="http://www.divshare.com/img/6004655-ed6.jpg" border="0" />

I just changed the title of this thread to include the general term "writing", because tonight I'm feeling the urge to recommend a non-fiction book.  Milli, I know you've also enjoyed this book and have talked about it here and there on BetterMost.

The book by Lillian Faderman is called: To Believe in Women: What Lesbians Have Done for America - A History

It's a remarkable look at the astounding number of really powerful women historically (the focus is mostly 19th and early 20th century) - in many fields from education to politics to social work, etc. - who were lesbians.  And, it examines why a lesbian identity might lead to a strong urge towards working for progressive change and even allowing for the life-circumstance (for instance not being encumbered by the constraints of a conventional 19th century marriage) and social networks to pursue public life and things like politics.  In a way, it's an amazing look at a "secret history"... which, once you think about it, seems really obvious or at least not surprising.

The cover photo shown here depicts Carrie Chapman Catt who was the president of NAWSA (the National American Woman Suffrage Association- the country's biggest and most historic suffrage association) at the time that the 19th Amendment finally passed in 1920.  The book talks about a huge range of suffragists.  And, it also talks about two major figures from my two alma maters.  Mary Woolley who was president of Mount Holyoke College in the early 20th century and M.Carey Thomas who was president of Bryn Mawr College from the late 19th c. into the early 20th c.... both of whom were pretty open lesbians.  Thomas lived very openly with a woman named Mary Garrett, who was also a Dean at Bryn Mawr.  The relationship between Thomas and Garrett is very openly acknowledged still to this day at Bryn Mawr... major portraits of both of them grace various buildings, etc.  Garrett was also a major benefactor for Bryn Mawr (she came from a very wealthy family).  The book also talks about well-known figures such as Jane Addams.  Anyway, it's really fascinating reading.

Here's the blurb from the back of the book:

"This landmark work of lesbian history focuses on how certain late-nineteenth century and twentieth-century women whose lives can be described as lesbian were in the forefront of the battle to secure the rights and privileges that large numbers of Americans enjoy today.  Lillian Faderman persuasively argues that their lesbianism may in fact have facilitated their accomplishments.  A book of imeccable research and compelling reading, To Believe in Women will be a source of enlightenment for all, and for many a singular source of pride."

And here's the blurb about the famous Lillian Faderman:

"Lillian Faderman is a much-honored pioneer in lesbian studies. Her books inlcude Odd Girls and Twilight Lovers and Surpassing the Love of Men.  She teaches at California State University at Fresno."

the world was asleep to our latent fuss - bowie

Offline Lumière

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Re: Lesbian and/or Feminist Literature and Writing
« Reply #3 on: December 08, 2008, 01:07:45 pm »
Hi Milli!
Thanks for all this info about her other works and forthcoming project!  Based on the quality of Beyond the Pale, I'll certainly look into her other writing down the road.

<img src="http://www.divshare.com/img/6004655-ed6.jpg" border="0" />


Another intriguing read, Amanda... and you have summarised it beautifully.

I started a "To Believe in Women" series of posts in the "Strong. gorgeous women" thread to highlight the names and faces of some of the women Lillian Faderman discusses in this inspirational book.  She exposes little bits of history that have fallen through the cracks.  She gives us a closer look into the lives of some of the famous, influential women we have often heard about and didn't fully know ... what they accomplished, how and why..
I love this book.

Quote
"Lillian Faderman is a much-honored pioneer in lesbian studies. Her books inlcude Odd Girls and Twilight Lovers  and Surpassing the Love of Men.  She teaches at California State University at Fresno."

" Odd Girls and Twilight Lovers " is another book I am eager to read.  I bought it weeks ago but didn't start on it yet.


Offline Lumière

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Re: Lesbian and/or Feminist Literature and Writing
« Reply #4 on: December 10, 2008, 06:22:18 pm »
Here is another novel on my To-Read-List:


Oranges Are Not the Only Fruit
by Jeanette Winterson




From Amazon.co.uk
Jeanette, the protagonist of Oranges Are Not The Only Fruit and the author's namesake, has issues--"unnatural" ones: her adopted mam thinks she's the Chosen one from God; she's beginning to fancy girls; and an orange demon keeps popping into her psyche. Already Jeanette Winterson's semi-autobiographical first novel is not your typical coming-of-age tale.

Brought up in a working-class Pentecostal family, up North, Jeanette follows the path her Mam has set for her. This involves Bible quizzes, a stint as a tambourine-playing Sally Army officer and a future as a missionary in Africa, or some other "heathen state". When Jeanette starts going to school ("The Breeding Ground") and confides in her mother about her feelings for another girl ("Unnatural Passions"), she's swept up in a feverish frenzy for her tainted soul. Confused, angry and alone, Jeanette strikes out on her own path, that involves a funeral parlour and an ice-cream van. Mixed in with the so-called reality of Jeanette's existence growing up are unconventional fairy tales that transcend the everyday world, subverting the traditional preconceptions of the damsel in distress.

In Oranges Are Not the Only Fruit, Winterson knits a complicated picture of teenage angst through a series of layered narratives, incorporating and subverting fairytales and myths, to present a coherent whole, within which her stories can stand independently. Imaginative and mischievous, she is a born storyteller, teasing and taunting the reader to reconsider their worldview. --Nicola Perry
« Last Edit: December 11, 2008, 06:08:33 pm by Lumière »


Offline Lumière

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Re: Lesbian and/or Feminist Literature and Writing
« Reply #5 on: December 11, 2008, 06:07:34 pm »
Another title to add to the list of period, lesbian novels.
Pretty much every review I have read of this book has been good.


The World Unseen
by Shamim Sarif




Amazon.ca
In 1950's South Africa, free-spirited Amina has broken all the rules of her own conventional Indian community, and the new apartheid-led government, by running a café with Jacob her 'coloured' business partner. When she meets Miriam, a young wife and mother, their unexpected attraction pushes Miriam to question the rules that bind her and a chain of events is set in motion that changes both women forever. The World Unseen transports us to a vibrant, colourful world, a world that divides white from black and women from men, but one that might just allow an unexpected love to survive.

About the Author
Shamim Sarif lives in London with her partner Hanan and their two children. She was born in the UK, and is of South African and Indian descent. This heritage formed the starting point for her first novel, 'The World Unseen' which won a Betty Trask Award and the Pendleton May First Novel Award. --This text refers to an out of print or unavailable edition of this title.



This book has also been adapted into a movie.  One review below:


THE WORLD UNSEEN Movie Review
http://www.hdfest.com/Gerald/worldunseen.html

Director, writer and actress Shamim Sarif brings her sensitive yet powerful novel of the same title to the screen. It depicts love, traditions, culture, bigotry and denial in 1950's South Africa.

This film with exceptionally fine crafted cinematography, focuses on two oppressed women living in Cape Town. The first woman is Amina, a woman of mixed blood (she is part Indian and part Black African) portrayed by Sheetal Sheth. She is a considered a free spirited person during these early years of apartheid. She is the owner of a cafe, an Indian man named Jacob (David Dennis) assists her. Amina wears trousers and speaks her mind when it comes to injustice.

The second woman is Miriam, an Indian with three children. Her marriage was planned by her family and she accepted her fate in life as a subservient mate to her physically abusive husband Omar (Parvin Dabas). Omar is a store owner and he provides for his family; however, he rules his family firmly, much like all men of his culture and race. With the backdrop of a government that racially profiles people of color, Amina and Miriam meet and form a friendship that blooms into something more.

The background scenes are spacious and breathtaking. However, what was even more beautiful were the two leading ladies. Sheetal Sheth is an American actress of Indian origin, best known for starring opposite Albert Brooks in Looking for Comedy in the Muslim World (2006). Lisa Ray is an Indo-Canadian actress who began her career with the Bollywood film Kasoor (2001). Ray is best known for her female lead in Bollywood/Hollywood (2002)

The chemistry of these ladies is perfect on screen and their performances compliment each other. When they kiss, a certain shyness is projected as neither of them is in the habit of kissing another woman. However, the actresses both brilliantly capture the feeling of an unsurprised rush of emotion. The result is a unique and tasteful scene of easing into a lesbian love affair. The whole scenario blends gracefully into the many suspenseful changes of events in the film.

This cinematic marvel transports the audience into historical South Africa, while simultaneously taking them into a world that segregates white from black. I was caught up in the division of women and men, and how each lived in this environment of political unrest.

This is one the most sincere films I've seen in quite some time.

FILM RATING (B+)


Offline Brown Eyes

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Re: Lesbian and/or Feminist Literature and Writing
« Reply #6 on: December 14, 2008, 02:54:33 pm »

Heya!

I'm hear to report that I finally finished Beyond the Pale! And, I thoroughly enjoyed it through to the end.

**Spoilers ahead**

Wow this book is packed with drama.  And, I loved all the historical context.  I'll say that as soon as I started seeing Triangle Shirtwaist mentioned in the story I kind of predicited in my mind that Rose would end up involved in the tragic fire.  Maybe about a year or two ago I saw a PBS program that discussed the Triangle fire disaster in detail.  If I remember correctly, it was a program about the labor movement and talked a lot about the Triangle fire as a big turning point for certain aspects of workplace safety regulations that impact labor policies to this day.  But, wow, what a terribly sad way for the book to more or less conclude.  The detail and the evocative way that the author describes the horror of the fire were really gripping... just as dramatic and horrifying (in different ways) as the earlier descriptions of the pogrom in Russia that Chava lives through.

I enjoyed the strategy of having Chava be a sort of witness to historical events.  It provided a really personal perspective and window into these real-life historic events.  And, seeing how lesbian culture dovetails with so many historic events and contexts is also so interesting... obviously because so much of lesbian history is kept invisible in mainstream or conventional histories.

The role of lesbians in things like the settlement movement, union movement and suffrage simply makes sense when you really think about it.  And, it was interesting to see in-depth, narrative descriptions of how these lesbian social networks worked.  I'm also fascinated by the ways that different movements impacted each other... like the union movement in relation to suffrage, etc.

Honestly, I wish the story continued a bit.  I would love to see how things go for Chava in Ohio with the suffrage movement.  I feel like we see so much tragedy in relation to Chava's life experiences (though, we also do see some glimpses of pleasure and joy too)... it would be nice to see how her life progresses a little further out from the tragedy with Rose.

The role of Dovid/Dovida was so fascinating in this book too.  I feel like that kind of history is even more cloaked in mystery than other aspects of lesbian history.  What a fascinating thing to imagine women masquerading as men and working for women's rights issues within the context of the male establishment.  I wonder how much of that really went on historically.  I'm glad that Chava decided to pursue her future in Ohio "in women's clothes" so to speak.  I think it's important for women as women or "women among women" (as Dykewomon described) to fight for their own issues and causes.  I think it's important (and was particularly important probably at the turn of the century) for the public to begin to see women as self-sufficient and powerful in their own right -- different from men.  I say this while also recognizing the contribution of the kind of activity shown by Dovid/Dovida too.  I suppose the Dovid/Dovida situation illustrates a kind of subversiveness and imagination in terms of life-strategy that many people couldn't conceive.  The thing that was interesting about this particular character as written in the novel is that she didn't really seem to identify as a transexual.  At home Dovida seemed happy enough to acknowledge or identify with a kind of femaleness.  Her masquerade seemed so deliberate and strategic.





the world was asleep to our latent fuss - bowie

Offline Brown Eyes

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Re: Lesbian and/or Feminist Literature and Writing
« Reply #7 on: December 14, 2008, 03:50:09 pm »


OK, so I'm back to recommend another book that I've mentioned to Milli before.

It's called Life Mask from 2004 by Emma Donoghue and it's another novel set in a historic context with major lesbian characters.  I read this quite a while ago and remember really enjoying it.  It's a complex novel, which is something I always like.

<img src="http://www.divshare.com/img/6088755-f5e.jpg" border="0" />

Here's the blurb from the back of the book.

"Vividly bringing to life the glittering spectacle of late eighteenth-century England, bestselling author Emma Donoghue turns the private drama of three celebrated Londoners into a robust portrait of a world on the brink of revolution.  Lord Derby, the unhappily married creator of the eponymouse horse race, is the steadfast suitor of a leading comedy star, the lowborn Eliza Farren, but their unconsummated courtship jeopardizes his stature.  When the ambitious actress begins an intimate friendship with the aristocratic widow and sculptor Anne Damer, the resulting scandal threatens to destroy the lives of all three.  Relationships dissolve, marriages crumble, and political liasons prove as dangerous as erotic ones in this sensational worls where everyone wears a mask."

the world was asleep to our latent fuss - bowie

Offline Lumière

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Re: Lesbian and/or Feminist Literature and Writing
« Reply #8 on: December 15, 2008, 02:42:25 pm »

OK, so I'm back to recommend another book that I've mentioned to Milli before.

<img src="http://www.divshare.com/img/6088755-f5e.jpg" border="0" />

Ah yes, I think I will start on this book after the one I am currently reading.  :)


Offline Lumière

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Re: Lesbian and/or Feminist Literature and Writing
« Reply #9 on: December 15, 2008, 02:54:52 pm »
Hey Amanda,

Thank you for that great review of Beyond the Pale, bud.  :)


The one thing I loved about this novel is the way E. Dykewomon intertwines the lives of her characters with real historical events like the Triangle Shirtwaist Factory fire.

Here is a blurb on the Triangle Shirtwaist Company [wikipiedia]:




The company employed approximately 600 workers, mostly young immigrant women from different places in Germany, Italy and Eastern Europe. Some of the women were as young as twelve or thirteen and worked fourteen-hour shifts during a 60-hour to 72-hour workweek. According to Pauline Newman, a worker at the factory, the average wage for employees in the factory was six to seven dollars a week[3], at a time when the average yearly income was $791.

The Triangle Shirtwaist Company had already become well-known outside the garment industry by 1911: the massive strike by women's shirtwaist makers in 1909, known as the Uprising of 20,000, began with a spontaneous walkout at the Triangle Company. During the strike, owners Blanck and Harris, two anti-union-leaders paid hoodlums to attack the protesting workers and hired prostitutes as replacement workers to show contempt for the strikers.[5]

While the International Ladies' Garment Workers' Union negotiated a collective bargaining agreement covering most of those workers after a four-month strike, the Triangle Shirtwaist Company refused to sign the agreement.  [...]

On the afternoon of March 25, 1911, a fire began on the eighth floor, possibly sparked by a lit match or a cigarette or because of faulty electrical wiring. A New York Times article also theorized that the fire may have been started by the engines running the sewing machines in the building. To this day, no one knows whether it was accidental or intentional. Most of the workers who were alerted on the tenth and eighth floors were able to evacuate. However, the warning about the fire did not reach the ninth floor in time. [...]

The ultimate death toll was 148, including 141 who died at the scene and seven survivors who later died at hospitals.



What a horrific tragedy indeed.  It is sad to know that an event as tragic as this was what it might have taken for labor/safety regulations and workplace conditions to be changed.

I had not heard about the Triangle Shirtwaist Company prior to reading this novel (I later did a little research on it), and so I was not prepared for the painful experience that was to come when Rose left Chava that morning and headed to work.  I was not prepared for Rose's death.  It shook me up and I cried when I read that part of the novel, just like I did when Chava witnessed her mother being raped and murdered during that pogrom in Kishinev.  Rose's death was yet another heavy blow to Chava, a young woman who had already seen so much grief and felt so much pain in her short life. 

Not unlike Brokeback Mountain, Beyond the Pale ends on a more or less tragic note, as you pointed out...
And that is the haunting impact it has on you; it leaves you wanting more.  I would've loved to see how Ennis' life unfolds after Jack's death, just like it would've been awesome to catch a glimpse into Chava's life in Ohio, her role in the suffrage movement, her next love after Rose ...
Reading the novel, you got a sense that Chava was meant to accomplish great things in her life - you are just not given the opportunity to see them or to experience the full, happy life you hope she finds down the road. :)


Yeah, the character of Dovid/Dovida was fascinating indeed.  One might have characterised her as the typical 'sexual invert' of her day, but like you said, she was content being a woman when she was at home with Gutke.  Out in the world, she bacame a man - she walked, talked, acted, worked like a man...and earned as much money as only a man could at that time.   I can only imagine the risks she bore; how she must've worked hard to overcome the fear of being 'discovered' as a woman masquerading as a man living with another woman, like a married couple would.  I guess you could say that her adoption of a male persona 'out in the world' made it possible for her to work in a profession, in a job that may not have been granted to a women - thereby earning enough money to live as comfortably as she did; it allowed her to live openly with her partner.  I guess the benefits of her chosen 'lifestyle' must've outweighed any risks she had to contend with.  Very interesting indeed.

I loved the character of Gutke because of her ability to instill a sense of calm in me; her outlook on life, her wisdom, her kindness, and of course...the maternal role she played in Chava's life - all very inspiring. 

The following is an excerpt from Gutke's journal, after she meets Dovida in Kishinev:

Dovida was such a pleasure to me that even when other opportunities presented themselves — an unhappily married woman reaching for my hand, a friend of Dovida’s from Berlin trying to sweet-talk me — I was never tempted. The way it was between Dovida and me was what I wanted, not because it was the only possibility but because Dovida absorbed my attention, even when I wasn’t sure I liked her. The flame I saw the night I met her never left, though it often changed shape, intensity or color.


So beautiful.  :)
And of course there is this Gutke quote from the beginning of the book:

"Whenever you tell the story of one woman, inside is another."