Author Topic: Gay Outlaws Andrew & James - A True Love Story  (Read 86745 times)

Offline Kerry

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Re: Gay Outlaws Andrew & James - A True Love Story
« Reply #20 on: September 11, 2009, 05:26:38 am »
Scott said, “We had no intention of being bushrangers. Misery and hunger produced despair and in one wild hour we proved how much the wretched dare.”  

However, this was a sensational event in troubled times, as the notorious Kelly Gang had eluded capture in Victoria and public feeling against bushrangers was running high.

Scott and the other three surviving members of his party – Thomas Rogan, Thomas Williams and Graham Bennett – first faced an inquest in Gundagai in the Court House which still stands in the main street. They were incarcerated in the old Gundagai Gaol which is located directly behind the Court House, surrounded by a high slate wall, and is now a private police residence.


Gundagai Court House

James Nesbitt and fifteen year old Augustus Wernicke were buried in paupers’ graves in Gundagai Cemetery. Wernicke is believed to be Australia’s youngest bushranger.

Scott conducted his own defence in the Gundagai Court and pleaded for the lives of his surviving friends – “I alone commanded and these boys did as I bid them. I am ready to suffer for their sakes and answer for breaking the laws of this country. Let them who stand beside me go free.”

It must have been so traumatic for Scott, having so recently cradled his dearest friend, James Nesbitt, as he died in his arms. It was noticed that his voice broke with emotion on several occasions as he delivered his defence.

The prisoners were committed to Darlinghurst Court House in Sydney, to stand trial for shooting Constable Bowen.


Darlinghurst Court House

Continued . . . . .

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Offline Kerry

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Re: Gay Outlaws Andrew & James - A True Love Story
« Reply #21 on: September 11, 2009, 05:27:54 am »
This was a sensational event in troubled times and both the newspapers and the government took advantage of it. For the New South Wales government, the Wantabadgery siege was a tailor-made distraction from drought, escalating unemployment and labour strikes. For the press, the hunger for news was insatiable. A barrage of propaganda was written in the papers with the bushrangers, before their trial, described as, “notorious, depraved, bloodthirsty and vicious . . . utterly unprincipled, utterly incapable of reform”  and much more. Not once were the words “alleged crimes” mentioned. The portraits of Scott appearing in the press at the time, drawn by newspaper illustrators, represent him as a wild-eyed, frightening figure with over-sized, mutton-chop whiskers, seemingly much older than his tender 35 years.

The Darlinghurst trial contained much conflicting evidence as to who had fired which shots. With the benefit of hindsight, one is tempted to consider the possibility that Constable Bowen may have been a victim of friendly fire. The trial was conducted in an atmosphere of public hysteria with over 2,000 people crowding the courthouse.

The judge, whose brother had previously owned the Wantabadgery property where the siege took place, should have disqualified himself from the trial. He conducted it in a highly emotional manner, finally sentencing all four bushrangers, “. . . to hang by the neck until your bodies be dead.”

After sentencing, in his final address to the jury, Scott said, “I ask that my body be given to my friends. I should like my body to be buried in Gundagai.”

After appeals, the sentences of Williams and Bennett were reduced to “hard labour for life” because they were under 21 years of age. Rogan, who was the most innocent of all the bushrangers, was to hang with Scott. By every account, he did not fire a shot. He hid under a bed during the siege and was found there the next morning. However, as he was 21 years of age, he too had to pay the ultimate penalty.

An estimated crowd of 4,000 gathered for the hanging at Darlinghurst Gaol, located behind the courthouse. Some spectators scaled trees and stood on the highest roof tops, but nothing could be seen or heard by the public.

Andrew Scott went to his death wearing on his finger a ring made from a plaited lock of James Nesbitt’s hair.


The execution of Andrew Scott & Thomas Rogan at Darlinghurst Gaol on January 20, 1880

Continued . . . . .

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Offline Kerry

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Re: Gay Outlaws Andrew & James - A True Love Story
« Reply #22 on: September 11, 2009, 05:29:13 am »
Following his execution, Andrew Scott’s body was released to his friends, as he had requested. However, the good citizens of Gundagai were outraged at the thought of a bushranger being buried in their town’s cemetery, so he was buried in the Anglican section of Sydney’s Rookwood Cemetery instead. Rogan was buried in the Catholic section of the same cemetery.

In 1993, Gundagai residents Samantha Asimus and Christine Ferguson read Scott’s eloquent and moving speeches to the Gundagai and Darlinghurst courts, which are displayed at the Gundagai museum. The two women were particularly inspired by Scott’s letters. It soon became evident to them that there was more than just friendship alone in his relationship with James Nesbitt. As a consequence, they resolved to grant Andrew Scott’s final wish and have him laid to rest beside his beloved in Gundagai Cemetery.

Eighteen months later, after battling bureaucracy and cutting through much red tape, the remains of Andrew George Scott, Captain Moonlite, were exhumed from Rookwood Cemetery and laid to final rest in Gundagai Cemetery, granting his last wish.


Gundagai Cemetery

On his 35th and final birthday, on January 8, 1880, Andrew Scott described his tombstone: “As to a monumental stone, a rough unhewn rock would be most fit, one that skilled hands could have made into something better. It will be like those it marks as kindness and charity could have shaped us to better ends.”


Andrew Scott’s final resting place in Gundagai Cemetery
The humble pink field flowers and Australian wattle are my own small tribute

These words now mark the final resting place of Andrew George Scott, Captain Moonlite – close by his mates in an old bush cemetery, under the shade of an Australian eucalyptus tree.

May they rest in peace and their lives be judged fairly.   


The view from Andrew Scott’s grave in Gundagai Cemetery
(headstone in left foreground)
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retropian

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Re: Gay Outlaws Andrew & James - A True Love Story
« Reply #23 on: September 11, 2009, 11:14:52 am »
This is such a sad story. Has anybody novelized it? I would read a novel of their story, sad as it is. It'd make a great movie too. Just don't let Baz Lurhman(sp?) direct.

Offline Kerry

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Re: Gay Outlaws Andrew & James - A True Love Story
« Reply #24 on: September 11, 2009, 06:47:34 pm »
This is such a sad story. Has anybody novelized it? I would read a novel of their story, sad as it is. It'd make a great movie too. Just don't let Baz Lurhman(sp?) direct.

I agree. It would make an absolutely fabo movie, albeit a tragic one.

Novel by Annie Proulx   :D

Screenplay by Larry McMurtry & Diana Ossana   :D

Directed by Ang Lee   :D

Starring   ???   :'(
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retropian

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Re: Gay Outlaws Andrew & James - A True Love Story
« Reply #25 on: September 11, 2009, 08:48:19 pm »
I agree. It would make an absolutely fabo movie, albeit a tragic one.

Novel by Annie Proulx   :D

Screenplay by Larry McMurtry & Diana Ossana   :D

Directed by Ang Lee   :D

Starring   ???   :'(

Well, it'd have to be a couple of Australian actors for sure, just not Russell Crowe, although he's a Kiwi isn't he? He's too old now as well.

Offline Kerry

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Re: Gay Outlaws Andrew & James - A True Love Story
« Reply #26 on: September 11, 2009, 10:41:36 pm »
Well, it'd have to be a couple of Australian actors for sure, just not Russell Crowe, although he's a Kiwi isn't he? He's too old now as well.

Andrew Scott (Captain Moonlite) was Irish (born and raised in Northern Ireland), so maybe Colin Farrell could play him in the movie. And Australian actor Eric Bana could play the part of his lover, James Nesbitt. I'd like to see that!  :D


Colin Farrell


Eric Bana

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retropian

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Re: Gay Outlaws Andrew & James - A True Love Story
« Reply #27 on: September 12, 2009, 06:38:33 pm »
Andrew Scott (Captain Moonlite) was Irish (born and raised in Northern Ireland), so maybe Colin Farrell could play him in the movie. And Australian actor Eric Bana could play the part of his lover, James Nesbitt. I'd like to see that!  :D


Colin Farrell


Eric Bana



Mmmm. I'd like to see that too. ;D

Offline Kerry

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Re: Gay Outlaws Andrew & James - A True Love Story
« Reply #28 on: January 11, 2010, 09:38:20 am »
Alfred Noyes beautiful poem, The Highwayman,  reminds me of Andrew and James:


                                   The Highwayman

                            by Alfred Noyes (1880-1958)

                                        PART ONE

                                                 I

    The wind was a torrent of darkness among the gusty trees,
    The moon was a ghostly galleon tossed upon cloudy seas,
    The road was a ribbon of moonlight over the purple moor,
    And the highwayman came riding—
                      Riding—riding—
    The highwayman came riding, up to the old inn-door.

                                                 II

    He'd a French cocked-hat on his forehead, a bunch of lace at his chin,
    A coat of the claret velvet, and breeches of brown doe-skin;
    They fitted with never a wrinkle: his boots were up to the thigh!
    And he rode with a jewelled twinkle,
                      His pistol butts a-twinkle,
    His rapier hilt a-twinkle, under the jewelled sky.

                                                 III

    Over the cobbles he clattered and clashed in the dark inn-yard,
    And he tapped with his whip on the shutters, but all was locked and barred;
    He whistled a tune to the window, and who should be waiting there
    But the landlord's black-eyed daughter,
                      Bess, the landlord's daughter,
    Plaiting a dark red love-knot into her long black hair.

                                                 IV

    And dark in the dark old inn-yard a stable-wicket creaked
    Where Tim the ostler listened; his face was white and peaked;
    His eyes were hollows of madness, his hair like mouldy hay,
    But he loved the landlord's daughter,
                      The landlord's red-lipped daughter,
    Dumb as a dog he listened, and he heard the robber say—

                                                 V

    "One kiss, my bonny sweetheart, I'm after a prize to-night,
    But I shall be back with the yellow gold before the morning light;
    Yet, if they press me sharply, and harry me through the day,
    Then look for me by moonlight,
                      Watch for me by moonlight,
    I'll come to thee by moonlight, though hell should bar the way."

                                                 VI

    He rose upright in the stirrups; he scarce could reach her hand,
    But she loosened her hair i' the casement! His face burnt like a brand
    As the black cascade of perfume came tumbling over his breast;
    And he kissed its waves in the moonlight,
                      (Oh, sweet, black waves in the moonlight!)
    Then he tugged at his rein in the moonliglt, and galloped away to the West.

 
                                        PART TWO

                                                 I

    He did not come in the dawning; he did not come at noon;
    And out o' the tawny sunset, before the rise o' the moon,
    When the road was a gypsy's ribbon, looping the purple moor,
    A red-coat troop came marching—
                      Marching—marching—
    King George's men came marching, up to the old inn-door.

                                                 II

    They said no word to the landlord, they drank his ale instead,
    But they gagged his daughter and bound her to the foot of her narrow bed;
    Two of them knelt at her casement, with muskets at their side!
    There was death at every window;
                      And hell at one dark window;
    For Bess could see, through her casement, the road that he  would ride.

                                                 III

    They had tied her up to attention, with many a sniggering jest;
    They had bound a musket beside her, with the barrel beneath her breast!
    "Now, keep good watch!" and they kissed her.
                      She heard the dead man say—
   Look for me by moonlight;
                      Watch for me by moonlight;
    I'll come to thee by moonlight, though hell should bar the way!


                                                 IV

    She twisted her hands behind her; but all the knots held good!
    She writhed her hands till her fingers were wet with sweat or blood!
    They stretched and strained in the darkness, and the hours crawled by like years,
    Till, now, on the stroke of midnight,
                      Cold, on the stroke of midnight,
    The tip of one finger touched it! The trigger at least was hers!

                                                 V

    The tip of one finger touched it; she strove no more for the rest!
    Up, she stood up to attention, with the barrel beneath her breast,
    She would not risk their hearing; she would not strive again;
    For the road lay bare in the moonlight;
                      Blank and bare in the moonlight;
    And the blood of her veins in the moonlight throbbed to her love's refrain .

                                                 VI

        Tlot-tlot; tlot-tlot!  Had they heard it? The horse-hoofs ringing clear;
    Tlot-tlot, tlot-tlot,  in the distance? Were they deaf that they did not hear?
    Down the ribbon of moonlight, over the brow of the hill,
    The highwayman came riding,
                      Riding, riding!
    The red-coats looked to their priming! She stood up, straight and still!

                                                 VII

    Tlot-tlot,  in the frosty silence! Tlot-tlot,  in the echoing night!
    Nearer he came and nearer! Her face was like a light!
    Her eyes grew wide for a moment; she drew one last deep breath,
    Then her finger moved in the moonlight,
                      Her musket shattered the moonlight,
    Shattered her breast in the moonlight and warned him—with her death.

                                                 VIII

    He turned; he spurred to the West; he did not know who stood
    Bowed, with her head o'er the musket, drenched with her own red blood!
    Not till the dawn he heard it, his face grew grey to hear
    How Bess, the landlord's daughter,
                      The landlord's black-eyed daughter,
    Had watched for her love in the moonlight, and died in the darkness there.

                                                 IX

    Back, he spurred like a madman, shrieking a curse to the sky,
    With the white road smoking behind him and his rapier brandished high!
    Blood-red were his spurs i' the golden noon; wine-red was his velvet coat,
    When they shot him down on the highway,
                      Down like a dog on the highway,
    And he lay in his blood on the highway, with the bunch of lace at his throat.

                  *           *           *           *           *           *

                                                 X

   And still of a winter's night, they say, when the wind is in the trees,
    When the moon is a ghostly galleon tossed upon cloudy seas,
    When the road is a ribbon of moonlight over the purple moor,
    A highwayman comes riding—
                      Riding—riding—
    A highwayman comes riding, up to the old inn-door.


                                                 XI

    Over the cobbles he clatters and clangs in the dark inn-yard;
    He taps with his whip on the shutters, but all is locked and barred;
    He whistles a tune to the window, and who should be waiting there
    But the landlord's black-eyed daughter,
                      Bess, the landlord's daughter,
    Plaiting a dark red love-knot into her long black hair.



« Last Edit: April 30, 2010, 02:11:21 am by Kerry »
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Offline Kerry

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Re: Gay Outlaws Andrew & James - A True Love Story
« Reply #29 on: January 11, 2010, 09:43:01 am »
Who could blame Bess for falling in love with the highwayman. He sounds stunning! I think I'm a little in love with him myself:

    "He'd a French cocked-hat on his forehead, a bunch of lace at his chin,
    A coat of the claret velvet, and breeches of brown doe-skin;
    They fitted with never a wrinkle: his boots were up to the thigh!
    And he rode with a jewelled twinkle,
                      His pistol butts a-twinkle,
    His rapier hilt a-twinkle, under the jewelled sky."

Sigh!

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