Great observations, everybody! I love all the connections being described.
Something I’d like to know: Why the switch in tense when Jack talks about quitting rodeo?
- In the story: “I’m gettin out while I still can walk.”
- In the film: “Got out while I could still walk.”
Oooh, grammar! (confession time - in jr. high I thought diagramming sentences was some high-class entertainment. Weird but true...)
Ok, I think the switch here goes along with Annie's Jack still being broke, still driving "the same old green pickup", 'cause LD isn't letting Lureen "have none a the money....so it's a hard go now"
That really is a big difference from the movie. It means Jack's been rodeoing, and barely scraping by, for 4 years. It also means that Bobby being born apparently didn't make any difference to Story LD, far as welcoming Lureen back into the family affluence. (Maybe Story Fayette still got those 120 cans of formula to Lureen somehow.
)
It seems like Annie's Jack and Ennis are in comparable financial circumstances, at least as far as that present moment was concerned.
I've got a question:
What things does the trailer mailbox connect to in the story? The screenplay is real specific. It's a "new mailbox" and "Ennis has a set of stick-on numbers in his hand. Peels the 1 off and precisely applies it, then the 7: 17."
Someone (who?) pointed out in another thread that there were 17 mountain ranges listed. Is one point of this carefully spelled out action of Ennis maybe to serve as something of that montage you mentioned hoping for, jp? Awake (instead of asleep), remembering (dreaming) their times together, as you said?