Author Topic: Brokeback Mountain - the opera  (Read 6155 times)

Offline Brown Eyes

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Re: Brokeback Mountain - the opera
« Reply #10 on: June 12, 2008, 01:04:35 am »
So, Ennis is going to have to sing after all? Hmmm, intriguing.

 :laugh: :laugh:  Excellent observation Bud. 

I really like the idea of this opera, but I'm still having a hard time imagining what it will be like.  I definitely can imagine BBM as a play, but the singing part is the hardest aspect for me to imagine at this point.

the world was asleep to our latent fuss - bowie

Offline Ellemeno

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Re: Brokeback Mountain - the opera
« Reply #11 on: June 12, 2008, 01:06:30 am »
Somehow I can picture Aguirre singing in a low, deep voice, "Ain't got no work for you."

Offline optom3

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Re: Brokeback Mountain - the opera
« Reply #12 on: June 12, 2008, 12:04:44 pm »
:laugh: :laugh:  Excellent observation Bud. 

I really like the idea of this opera, but I'm still having a hard time imagining what it will be like.  I definitely can imagine BBM as a play, but the singing part is the hardest aspect for me to imagine at this point.

I cannot imagine it as an opera either.Having said that one of the most common themes in operas is, love gone wrong/thwarted/lover dies. So from that perspective it fits the genre very well.
I just have a nightmare feeling, that BBM as an opera could easily turn into a Gilbert and Sullivan type farce.
A play, now that I would like.



Offline Brown Eyes

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Re: Brokeback Mountain - the opera
« Reply #13 on: June 12, 2008, 01:56:09 pm »

The whole first quarter or so of the story... the whole '63/ Brokeback section really feels like one of those classic two-person plays (or plays with very, very few characters) like Waiting for Godot or The Zoo Story.  Or, at least I could envision it staged that way theatrically.

the world was asleep to our latent fuss - bowie

Offline optom3

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Re: Brokeback Mountain - the opera
« Reply #14 on: June 12, 2008, 05:36:59 pm »
The whole first quarter or so of the story... the whole '63/ Brokeback section really feels like one of those classic two-person plays (or plays with very, very few characters) like Waiting for Godot or The Zoo Story.  Or, at least I could envision it staged that way theatrically.



I could really see the first part, in one of those intimate, theater in the round type settings. In that way you would see the characters from all angles, allowing for a much more intimate experience. So much of the film was very subtle,that I think it would take that sort of production to provide the same feeling of being part of it all, in fact even there as voyeurs almost.
I am still struggling with the opera though. As with all these things,time will tell.


Offline Aloysius J. Gleek

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Re: Brokeback Mountain - the opera
« Reply #15 on: June 17, 2008, 06:19:51 am »

Hmmm--a bit of wariness from the Matrix; Highbrow, yes, but--

http://nymag.com/arts/all/approvalmatrix/47813/

The Approval Matrix: Week of June 23, 2008

Our deliberately oversimplified guide to who falls where on our taste hierarchies.

Published Jun 15, 2008

"Tu doives entendre je t'aime."
(and you know who I am...)


Cowboy Curtis (Laurence Fishburne)
and Pee-wee in the 1990 episode
"Camping Out"

Offline Ellemeno

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Re: Brokeback Mountain - the opera
« Reply #16 on: June 18, 2008, 02:51:33 am »
I did very much enjoy the hummus jokes in Don't Mess with the Zohan.

I wonder why New York found the BBM opera toward the despicable end?