Rayn, really, that was SO well done. The whole Brokeback experience was created for the reader to make conclusions from his or her own experience. The whole short story is like that. Everyone who reads it has a different and very valid conclusion formed from their own lives, their own hearts.That quality of the SS was kept intact when Ang Lee made the film.
Having said that, I still feel a LOT of the scholarly critique and analysis done on Brokeback's short story form, literary construction and style is nothing less then maddening. It can be even more verbose and baffling when the film is discussed. From the way you responded, I'm pretty sure you too read the 'scholarly articles' in the BBM issue of the magazine
Film Quarterly. So I will use that as my example even though they didn't deal with 'Jack, I swear...' You and I are on the same wave length, which makes me suspect you might have found yourself wondering whether the learned contributors to that issue saw the same film the rest of us did lol!!!!!!!
I had to consciously remind myself that the magazine's content mattered far less then this simple fact: Quarterly's treatment of BBM formally added it to the short list of legendary films, barely 2 years after its theatrical release. For a LOT of that content---let alone some of the conclusions-- left Brokies [who generally know more about the film then the contributors did] scratching their heads. Those analytic pieces tended to miss the point. With great erudition, they went on and on, using too many words to illustrate startling conclusions which I doubt either Annie Proulx of Ang Lee would have ever thought of. I mean it IS possible lol, but it was hard to see why they would CARE. The meaning of the tale, the ability to extrapolate one's own experience onto the film and draw your own conclusions, was rather lost in the treatment......
While interesting, it was also something of a classic and beside-the-point self indulgence which ended by obscuring what they tried to illuminate.
So too, with 'Jack, I swear...'
Last spring I read this extraordinary critique somewhere---maybe Lee {FrontRanger} might have it in her files?? I'm not sure, but think it might have been written by someone in the UK, honestly don't remember. I think it is about 10-12 pages long, and may very well have BEEN someone's thesis lol.
The damned thesis went on and on, mixing misplaced romanticism [
as opposed to romantic feeling!!!!!] with what the author thought was impartial analysis. Well, it wasn't. He used thousands of words to describe the meaning of THREE. In the process, he lost sight of the forest>>>>>>>>leaving the reader with a couple of mishapen trees instead of healthy woods. If anybody has that article, or knows who wrote it, could they post it here? The damned thing was awesome in its ability to confuse the reader; the writer somehow managed to GUSH in all the wrong places.
I just have no patience with the sort of obscurantist 'scholarship' which pulls everything off track. You, me, artiste, ellemeno, David---any member of this forum could have done it better. Why? We may disagree, which is natural; yet we all look towards the common goal of genuine understanding.
Too many of these formal analysiii <sp??> couldn't care less about THAT, while THAT is what we all treasure.
That stuff really irritates me lol.
and
HAPPY NEW YEAR!