Author Topic: The Bar Scene with Jack and Ennis  (Read 14595 times)

Offline Brown Eyes

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Re: The Bar Scene with Jack and Ennis
« Reply #30 on: January 16, 2007, 10:22:25 pm »
Heya Toast,

Thanks for the awesome visual aides.  Hey, in your first motion-filled post, I love what's going on with the boys' hands on the beer bottles as they look back and forth.  It is at the very least... very flirty.
 :o
the world was asleep to our latent fuss - bowie

Offline serious crayons

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Re: The Bar Scene with Jack and Ennis
« Reply #31 on: January 17, 2007, 03:14:53 am »
I love what's going on with the boys' hands on the beer bottles as they look back and forth.  It is at the very least... very flirty.

Oooooh! Good catch, Amanda!

Offline Toast

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Re: The Bar Scene with Jack and Ennis
« Reply #32 on: January 17, 2007, 04:56:19 pm »
Yes atz75,
I am surprised to see Ennis and Jack making reciprocal signals with their longneck bottles.
Ennis is ready to be the top
and Jack is ready to be the bottom, then and there.  - OOps.

Have another look:


I just love how Ennis' forefinger peeps above the longneck
and Jack seems to accept the offer. 
No interpretation required.
But of course, each guy only makes the offer/acceptance when he knows NOONE is looking at his bottle.

Offline Front-Ranger

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Re: The Bar Scene with Jack and Ennis
« Reply #33 on: January 13, 2008, 06:01:51 pm »
Yes atz75,
I am surprised to see Ennis and Jack making reciprocal signals with their longneck bottles.
Ennis is ready to be the top
and Jack is ready to be the bottom, then and there.  - OOps.

Have another look:


I just love how Ennis' forefinger peeps above the longneck
and Jack seems to accept the offer. 
No interpretation required.
But of course, each guy only makes the offer/acceptance when he knows NOONE is looking at his bottle.
Toast, this still cracks me up, after all this time!!
"chewing gum and duct tape"

Offline Brown Eyes

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Re: The Bar Scene with Jack and Ennis
« Reply #34 on: January 14, 2008, 12:02:36 am »
Heya Sister Mod!  Thanks for reviving this great old thread.  I love this bar scene.  I think it's packed with meaning.  It's reminds me of Lureen's desk(s), Aguirre's office, and even the cooking utensils that we've been discussing in various threads lately.  The background is so cluttered with important details, that I think it's really fun to pick through all these details... and it's much easier with these still images and visual aides. 

I'm sure it's mentioned here somewhere already, but I love how the darts behind Ennis's head (the one's I personally like to think of as "cupid's darts") echo the knives that are so prominently featured at the end of the film during Ennis's conversation about Kurt with Junior in his trailer.  The darts and the knives are in approximately the same position behind Ennis in each case.  In the case of these darts, I like that they're positioned on a door... or a place of transition.  Since this is a major turning point/ opportunity for Ennis here at the beginning of his relationship with Jack.

I also wonder a lot about that cow's skull and the rope that are behind and to the left of Ennis in this bar scene.  I think of that skull as an ominous sign of all the worries/fears/dark-memories that Ennis carries with him (a sign of complexities to come).  But, now I'm wondering what people make of the walking stick or cane that appears to be hung over one of the cow's horns?

In terms of significant things behind Jack in this bar scene... the only thing that keeps striking me is the "ray of sunshine" that he's sitting in.  I think of the phrase "sitting on a ray of sunshine" as an expression related to one person falling in love with or becoming smitten with a new "beloved."  So, in a way I wonder if this ray of sunshine and the darts are meant to be subtle clues that Ennis really is already falling for Jack (this coupled with his willingness to talk a little bit with him... and to even ask to borrow the lighter).

Can anyone tell what the objects are further beyond the door with the darts towards the back of the room?  I can't really tell what some of those objects on the wall are.

This body language really is amazing in slow motion.

the world was asleep to our latent fuss - bowie