Author Topic: Heath Heath Heath  (Read 4397728 times)

Offline Sheriff Roland

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Re: Heath Heath Heath
« Reply #3640 on: January 23, 2008, 11:35:35 am »
Dunno if this image of Heath appears anywhere else on this thread, but I thought I'd share ...

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Offline loneleeb3

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Re: Heath Heath Heath
« Reply #3641 on: January 23, 2008, 11:44:11 am »
Dunno if this image of Heath appears anywhere else on this thread, but I thought I'd share ...

Thanks Sheriff!
I have never seen that before.
He's so beautiful!
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Offline ifyoucantfixit

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Re: Heath Heath Heath
« Reply #3642 on: January 23, 2008, 11:45:41 am »
I can't deal with this, I'm still in denial. I woke up this morning feeling like shit and cried some more. I see folks coming up with such beautiful poems, thoughtful comments, images, and I can't put anything rational together except that I was to scream and kick something.  ::)

Had a peek at the news coverage this morning and it's still so tacky, uncaring, sensationalist, ignorant. They copy each other and haven't got a clue. Aiming for their angle - the major Norwegian paper makes a point of focusing on the fact that Michelle and Matilda were staying in some Swedish place near the Norwegian border when theiy got the message. Gotta make the news local however farfetched the angle, and so presumably (to them) more interesting. How silly is that?

I think I need to stay away from the net for a while and get myself under control. If only I hadn't seen "I'm not there" the day before yesterday...

[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[  MIKAELA  ]]]]]]]]]]]]]]]]]]]]]]]]]
         



     Beautiful mind

Offline Kd5000

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Re: Heath Heath Heath
« Reply #3643 on: January 23, 2008, 11:50:29 am »
Don't know if this has been posted elsewhere, but here goes...

Michelle Williams 'Devastated' by Heath's Death
TUESDAY JANUARY 22, 2008 11:15 PM EST


Photo by: Richard Young / Rex 

Michelle Williams was on location in Sweden, believed to be with 2-year-old daughter Matilda, when she got the news: Heath Ledger was found dead in New York at age 28.

"She's devastated," says a source close to the 27-year-old actress.

Although their three-year relationship didn't last, Williams and Ledger could always agree that their daughter comes first.

"He was absolutely in love with his daughter," says another source. "And he really liked what he did [acting]. He spoiled [Matilda] rotten. He was playful and very funny with her."

The source adds: "I can't believe Matilda is going to grow up without a dad, without knowing her father. And that Michelle will have to deal with having a daughter who's lost her father. She's a survivor. She'll make it, but it's going to be hard. Her first concern is going to be Matilda."

• Reporting by JULIE JORDAN and ALEXIS CHIU

http://www.people.com/people/article/0,,20173182,00.html

Offline Penthesilea

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Re: Heath Heath Heath
« Reply #3644 on: January 23, 2008, 11:55:32 am »
I still don't find the right words





Offline loneleeb3

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Re: Heath Heath Heath
« Reply #3645 on: January 23, 2008, 11:58:37 am »
I still don't find the right words






A picture is worth a thousand friend!


I think Heath would say this...

Remember Me

Remember me with smiles and laughter,
For that's the way I'll remember you all.
If you can only remember me with tears,
Then don't remember me at all.

"The biggest obstacle to most of us achieving our dreams isn't reality, it's our own fear"

"Saint Paul had his Epiphany on the road to Damascus, Mine was on Brokeback Mountain"

Offline serious crayons

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Re: Heath Heath Heath
« Reply #3646 on: January 23, 2008, 12:49:10 pm »
I still don't find the right words [/center]

I know what you mean. I haven't said much on the grieving threads, because I don't know how to get my point across.



Offline MaineWriter

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Re: Heath Heath Heath
« Reply #3647 on: January 23, 2008, 01:25:30 pm »
From the New York Times:

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Offline MaineWriter

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Re: Heath Heath Heath
« Reply #3648 on: January 23, 2008, 01:26:13 pm »
January 24, 2008
Appreciation
An Actor Whose Work Will Outlast the Frenzy
By A. O. SCOTT

The defining performance of Heath Ledger’s tragically foreshortened career — more or less equivalent to what Jim Stark in “Rebel Without a Cause” was for James Dean — will surely be the role of Ennis Del Mar in “Brokeback Mountain.”

A portrait of inarticulate love and thwarted desire, Ennis is a rich, complicated character succinctly sketched in Annie Proulx’s original short story and brought to heartbreaking life by the film’s screenwriters, Diana Ossana and Larry McMurtry, by its director, Ang Lee, and above all by Mr. Ledger himself.

Outwardly, Ennis presents a familiar image of rough-hewn western masculinity, and the longing that surges under his taciturn demeanor does not so much contradict this image as help to explain it. Ennis’s love for Jack Twist, whom he meets tending sheep on a Wyoming mountaintop in the early 1960s, takes Ennis by surprise and throws him permanently off balance. His lifelong silence, the film suggests, is less a sign of strength than of cowardice, a crippling inability to acknowledge or communicate the truth of his own feelings.

What made the performance so remarkable was that Mr. Ledger, without betraying Ennis’s dignity or his reserve, was nonetheless able to convey that truth to the audience. This kind of sensitivity — the ability to signal an inner emotional state without overtly showing it — is what distinguishes great screen acting from movie-star posing. And while Mr. Ledger was handsome enough, and famous enough, to be called a movie star, he was serious enough, and smart enough, to be suspicious of deploying his charisma too easily or cheaply.

In retrospect, the best thing that happened to him — the lucky break for his admirers, at any rate —may have been his early failure to live up to his apparent movie-star potential. He was the most likable of the young things in the Shakespeare-derived teen comedy “10 Things I Hate About You,” with his curly hair, high forehead and the permanent intimation of a smirk on his thin-lipped, angled mouth. And as often happens with young actors Hollywood, his good looks and easy charm looked like a ticket to the commercial big time. Dutifully, but also with sparks of playful, eager energy, he played period golden boys in “The Patriot” and “A Knight’s Tale,” a misbegotten (but not entirely unenjoyable) entry in the evergreen, ever-silly costume-action genre.

It is hard to know exactly when Mr. Ledger discovered his range, and set about trying to explore it, but it is clear that he covered a lot of ground in a very short time. He had a taste for portraying troubled, brooding, self-destructive young men, it’s true — the anguished second-generation prison guard in “Monster’s Ball”; the heroin addict in “Candy”; the unhappy film star in “I’m Not There,” in addition to Ennis — but the temptation to blend their fates with Mr. Ledger’s own should be resisted at all costs. Those roles should be seen less as expressions of some imagined inner torment than as evidence of resourcefulness, creative restlessness and wit.

Those same characteristics are abundantly evident in less well-known movies that should not be overlooked. Mr. Ledger was hilarious and eccentric in Catherine Hardwicke’s “Lords of Dogtown,” playing a shaggy old-timer on the Venice Beach surf- and skateboard scene, and affably mischievous in Terry Gilliam’s “Brothers Grimm,” alongside Matt Damon. Ennis Del Mar is complemented and complicated by Casanova, whom Mr. Ledger played in Lasse Hallstrom’s unfairly neglected biopic-as-sex-farce, which came and went too quickly in late 2005, during the ascendancy of “Brokeback Mountain.” It’s not just that the flamboyantly heterosexual Casanova is Ennis Del Mar’s opposite in obvious ways. He is also a creature of pure whimsy, a lighter-than-air confection of licentiousness and gallantry.

Which is not to say that Mr. Ledger’s performance is frivolous. Rather, it required intelligence, restraint and a tricky lightness of touch. Mr. Ledger’s had an unusual ability to mix lightness and gravity, an emotional nimbleness he displayed most fully, perhaps, in Todd Haynes’s “I’m Not There.” Of the six avatars of Bob Dylan in that film, his, an actor named Robbie Clark, is the most remote from Mr. Dylan’s various personae and closest to the prosaic world of love, fame and ambition. Bobby starts out full of youthful energy, heedless and in love, and finds himself a decade later adrift and disappointed, robbed of the happiness that early success had seemed to promise.

Again, it’s important to warn against looking in that film, or any other, for clues or portents. It seems to me that Mr. Ledger, in his choice of roles, was motivated above all by curiosity, and perhaps also by an impatience with the predictability and caution that can settle around the shoulders of talented young stars. In heroic roles, like “A Knight’s Tale” or “Ned Kelly,” he often seems bored, which may be why he so eagerly seized the chance to play the sociopathic Joker in “The Dark Knight,” the next installment in the “Batman” franchise.

The dismaying sense of loss and waste at Mr. Ledger’s death at the age of 28 comes not only because he was so young, but also because his talent was large and as yet largely unmapped. It seems inevitable that he will now be inscribed in the cult of the beautiful stars who died too young, alongside James Dean, Montgomery Clift and Marilyn Monroe. Even before his death, he had been ensnared in a pathological gossip culture that chews up the private lives of celebrities, and Tuesday’s news unleashed the usual rituals of media cannibalism.

Mr. Ledger’s work will outlast the frenzy. But there should have been more. Instead of being preserved as a young star eclipsed in his prime, he should have had time to outgrow his early promise and become the strange, surprising, era-defining actor he always had the potential to be.
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Offline LauraGigs

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Re: Heath Heath Heath
« Reply #3649 on: January 23, 2008, 01:50:27 pm »
I love that article, but don't know about the accuracy of this:  . . . he should have had time to outgrow his early promise and become the strange, surprising, era-defining actor he always had the potential to be.

I think he defined an era all right.