Author Topic: ABCs at the Movies: The Doubles Round!  (Read 2624302 times)

Offline southendmd

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"R" is Rampage (1963)
« Reply #3030 on: March 13, 2008, 12:17:06 pm »
GREED!


(I don't know if this is from the film, but it's a good picture of Robert Mitchum anyway.)

IMDb:  A hunter and a trapper are employed by a zoo to catch some big cats. They set off and soon fall out. The hunter is an arrogant aging Englishman who believes the only good animal is a dead one. But he also has an attractive and much younger mistress with him; while she has regularly had affairs she has always returned to him. He is confident that this is the most that will happen on this trip.

Offline oilgun

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"S" is Se7en (1995)
« Reply #3031 on: March 13, 2008, 02:29:51 pm »
I don't think I need to list them again, lol!


Offline MaineWriter

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"T" is Te doy mis ojos (Take My Eyes) 2003
« Reply #3032 on: March 13, 2008, 03:19:04 pm »
WRATH, GREED, and ENVY

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Offline southendmd

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"U" is Up in Smoke (1978)
« Reply #3033 on: March 13, 2008, 03:28:22 pm »
SLOTH!


[youtube=425,350]http://www.youtube.com/watch?v=4Q7bS2Wsz7M[/youtube]
The original trailer.

Offline oilgun

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"V" is VGL-Hung! (2007)
« Reply #3034 on: March 13, 2008, 04:53:27 pm »
Does vanity count as PRIDE!
Also, ENVY!

Plot Outline: An average gay guy discovers a magic website that can change him into the fantasy man he desires, but there is a price to pay.



==COMMENT==
This is a non-porn effort by a porn studio (Eurocream!).  A rather hypocritical attempt to moralize about beauty obsession.

Offline MaineWriter

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"W" is Wall Street (1987)
« Reply #3035 on: March 13, 2008, 05:26:20 pm »
GREED and AVARICE!



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Offline southendmd

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Wildcard "X" is Sunset Boulevard (1950)
« Reply #3036 on: March 13, 2008, 08:44:12 pm »
This one encompasses ALL seven deadly sins, and then some!

Billy Wilder is a genius!


IMDb:  Until 1950, American films were strictly entertainment, some deeper than others. Studio executives were very protective of image and star-making. In essence, everything seemed perfect. Billy Wilder, Charles Brackett, and D.M. Marshman, Jr. created a stunning work of art that splits the Hollywood sign in two and exposed a dream factory for what it really is: a struggle to both gain and keep notoriety in the limelight. "Norma Desmond" and "Joe Gillis" are at opposite ends of this warped Hollywood mindset, with Gillis, played by that most cynical of actors, William Holden trying to pay the rent and Norma (Gloria Swanson) living a lie as a silent queen whose star burned "10,000 midnights ago". How a picture with such a snide look at the industry could come out in 1950 is simply mind-boggling, considering some of the light fodder that came out of Hollywood at the time. It has inspired many modern day disciples such as Altman's THE PLAYER, and Sonnenfeld's GET SHORTY, both of which took their vicious, hilarious parodies to the jugular of the movie capital of the world. SUNSET BLVD is the father of all socially oriented pictures regarding the movies and is by far the best.

The images of this beautiful black and white powerhouse are fascinating and unforgettable: the dead writer floating in a pool, eyes wide open, looking right at us at the beginning; the eerie pipe organ that plays by the breeze in the middle of one of the most deep and dustiest sets ever; the funeral ceremony of the dead monkey in Norma's courtyard ("That must have been one important chimp. The grandson of King Kong perhaps." says Holden in a delightfully crisp and wise voice-over.) Holden pulls his car into a driveway off of the boulevard that will change his life forever. He is the emblem of the struggle to get notoriety. He has only a few B Movies to his credit. Swanson as Norma Desmond is the symbol of lost fame and has become the talk of legend. What is ironic about her character is that she may be playing herself in an odd way. She WAS an actual silent star whose career went down the tubes after the talkies came about. Her madness combined with Holden's last drop of naiveté combine to give us one of the most electrifying "give and take" between actors I've ever witnessed.

Both lead parts were passed over by several actors. Holden was eventually forced into it as a contract player. How could you pass on such a script? Even "wax figures" (as Holden calls them) Buster Keaton, H.B. Warner, and Anna Q. Nilsson come to Norma's to play bridge, of course being Hollywood outcasts themselves, after the invention of sound in film. Some of the dialogue takes a swing at actual movies and people (GONE WITH THE WIND, Zanuck, Menjou). This must have brought the house down in Hollywood screening rooms throughout the town. Louis B. Mayer even condemned Billy Wilder for "ruining the industry". The film is sad and darkly humorous depicting the antics of Norma, who is quite insane, and Holden who is going along with what Norma is giving him, but has plans of his own. Another wax figure still alive and kicking in 1950 appears as himself in an important role. Cecil B. Demille, who once directed Norma/Gloria back in the silent heyday, tries to set her straight, telling her pictures have "changed". They had indeed, especially after this searing comment on celebrity status. I wonder if they knew what they were creating while making this gem.

Scenes are shot right on the lot of Paramount Studios (even the front gate), and Norma's mansion is an unforgettable piece of history and gloom with a floor that "Valentino once danced on." There is so much to discuss, but little to enlighten you on how great SUNSET BLVD is without you seeing it. Just two years later, films began to crop up with the same tainted view of Hollywood, most with varying degrees of deception. SINGIN' IN THE RAIN, one of the all-time entertainments quietly had a nasty taste in its mouth regarding celebrity and the invention of sound movies. Watch these films closely and see the skeletons of the modern Hollywood bash films.






Offline oilgun

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"Y" is Young People Fucking (2007)
« Reply #3037 on: March 13, 2008, 09:10:43 pm »
LUST!   but in a good way!



This is THE Canadian film to see this year.  It has (reliable) good buzz and its title, and the fact that the movie received gov. funding, is making the rednecks in the Conservative party foam at the mouth.  For that alone it deserves our support!   :laugh:

From IMDb: Straight up - I adored this movie. It's a razor sharp sex comedy that is extremely funny and has a soul. Structually it does something that you rarely see attempted in an ensemble film. The five individual strands do not interconnect. This is generally considered to be a recipe for disaster. If they don't interconnect - what stops it being five short films inter-cut? In this case - the theme (love) and narrative (negotiations about sex) replace the need for colliding narratives. And it works! The film is a cohesive whole. You don't have to waste screen time setting up clunky "small world" co-incidences (car crashes being the flavor of the month). The other thing that jolted me is that the entire cast is brilliant. There is no weak link. Disclaimer: I do have a family member in the cast - but trust me this is not the cause of my affection. I simply fell in love with the film. All the performances are subtle and leave lots of things for you to discover. Smart, funny, warmhearted. A real gem!


==ASIDE===

UP IN SMOKE would probably get an NC17 rating if it was released today!


Offline MaineWriter

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"Z" is ZebraHead (1992)
« Reply #3038 on: March 14, 2008, 06:30:00 am »
LUST, WRATH, PREJUDICE

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Offline MaineWriter

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Re: ABCs at the Movies: I'm So Animated!
« Reply #3039 on: March 14, 2008, 09:22:21 am »
Announcing out next round:

I'm So Animated!

The title says it all: animation (in all its forms). Movies, cartoons, short features...you get the idea.


As always: anything from 1888-2013. Include the year after the title, please. Thanks! Wildcard X is in effect.

Have fun!

Leslie
GameMistress
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