I'm embarrassingly slow in the uptake, but....seeing this painting in a smaller version in Oilgun's sig line
finally made it click home what it's showing me:
The classical image of someone with an angel on his one shoulder, and a devil on the other, urging him in opposite directions in life.
This didn't fully strike me all at once, since the angel/devil aspects are just versions of himself, no different in size, apparel, looks... only difference is that one is dark because of being in shadow, and one is paler, bordering on transluscent, because he's in the light.
If this is what the artist was after, I think he's succeeded - we all have urges to do good, and to do bad - and representing these by versions of the same person, whispering to him, talking him into something - yep, iit works for me. As before I do like that the middle character, the "real him" looks so uncertain, inwardly focused, weary of mindstruggles - it fits the topic.
It probably says something about me that of the good and evil aspect representations here I definitely like the darker one the best....
This portrait appeals much more to me when I interpret it as Heath the actor lending himself to the painter's vision of the concept of a struggle between good and evil within one human being, than as a direct character interpretation and presentation of Heath specifically.
